An edifying, well-written narrative that provides an intimate perspective on the legacy of colonialism.

CONCEPCION

AN IMMIGRANT FAMILY'S FORTUNES

An investigative journalist uncovers his family’s story.

Samaha, a reporter and inequality editor at BuzzFeed News, offers an expansive view of Filipino history and the experiences of Filipinx immigrants, who, with their American-born descendants, comprise the fourth-largest diaspora in the U.S. For his maternal grandparents, Manuel and Rizalina Concepcion, America was the land of opportunity. Although the family was prosperous (maids, private schools), beginning in 1965, when the U.S. dropped its immigration quotas, various relatives began leaving, and others followed as economic and political conditions deteriorated under the military rule of Ferdinand Marcos. Samaha and his mother came in 1995; his Lebanese father stayed behind, and his parents divorced a few years later. Drawing on more than 100 interviews as well as oral histories, court cases, and immigration records, Samaha creates a vivid sense of the reality immigrants encountered in a country they believed would offer “dreams and stability.” Even with evidence of dysfunction and decline, they never lost their faith in American greatness. The author interweaves stories of family and friends with a wide-ranging history of exploitation, oppression, and violence that shaped Filipino society and culture as Spain, Japan, and the U.S. took over the islands. “The colonizers,” he writes, “trained us with single-minded rigor to devote ourselves to their well-being.” Even after the U.S. granted the Philippines independence in 1946, the CIA “kept a guiding hand on the country’s leaders,” including Marcos. Samaha's identity as Filipinx was in flux throughout his childhood and adulthood as he moved between the White world his mother venerated and his self-identification as “a kid who wanted to be Black.” He came to realize that Filipinx immigrants “weren’t merely new arrivals to a nation, but to a longstanding system of racial oppression, suspended somewhere between those who conquered the land by blood and those whose blood built the empire."

An edifying, well-written narrative that provides an intimate perspective on the legacy of colonialism.

Pub Date: Oct. 12, 2021

ISBN: 978-0-593-08608-7

Page Count: 320

Publisher: Riverhead

Review Posted Online: Aug. 4, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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