Both an appreciation of nature and an ultimately hopeful reminder about our symbiotic relationship with it.

HELLO, TREE

A steadfast pine tree grows alongside a young girl.

The tree narrates, describing how the pair play together and provide each other comfort and companionship. Life is serene in the forest clearing where both the girl’s family’s house and the tree are situated, until a lightning storm brings fire and chaos. Animals flee, and the girl and her family evacuate, leaving the tree alone. Miraculously, the tree survives, yet destruction is all around. Charred trunks, barren land, and the ruins of the girl’s home have replaced the verdant lushness of the thriving forest. Nature finds a way though, and through the combined efforts of the human and animal communities (the latter never anthropomorphized), the forest regrows, and the cycle of stewardship is passed along to the next generation. Though told from the tree’s perspective, this quietly powerful tale of ecological awareness will prompt reflection about readers’ own roles in coexisting with and protecting nature. The simple, evocative text captures the placid, ever faithful voice of the tree and pairs well with the detailed illustrations. The deep greens of the mature forest project a strong sense of reassurance and vitality that effectively contrasts with the bleak browns, blacks, and grays of the post-fire scenes. The girl and her family have black hair and olive skin. (This book was reviewed digitally.)

Both an appreciation of nature and an ultimately hopeful reminder about our symbiotic relationship with it. (additional facts, author's notes) (Picture book. 4-8)

Pub Date: Sept. 14, 2021

ISBN: 978-0-316-42526-1

Page Count: 40

Publisher: Little, Brown

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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