DELIVERY

Accompanied by illustrations fittingly charged with movement, minimal couplets tell the story of how a day’s-worth of goods are conveyed to their various destinations. After the stacking of newspapers, the news vans push off into the pre-dawn, while Suen (Baby Born, 1998, etc.) works other deliveries into the picture as the day progresses: canned goods, boxes, flowers. The text never exceeds 10 words per page, and is gauged to the youngest listener: “On its way,/a new day,” and “Wheels and wings/carry many things.” Larger distribution networks are developed—highway arteries, flyways, rail lines, and shipping lanes—until Suen closes the circle with the piping of oil into the city. Zahares elegantly links every pastel-rich illustration to the next, back and forth through space and time and perspectives, until readers are once again at the morning gas pump—the end of the line for the city’s petroleum web—with the newspaper delivery man and the sun just cracking the horizon. Both text and art have a pleasing circularity that corrals the rhythms of the day so that they can be appreciated anew. (Picture book. 3-8)

Pub Date: Sept. 1, 1999

ISBN: 0-670-88455-3

Page Count: 32

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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CLICKETY CLACK

A train load of wild and wacky animals gets so noisy that the engineer has to shout to get them to quiet down. The little black train picks up yaks, acrobats, a troupe of ducks, and stomping elephants as passengers. But when two mice that are in to fireworks climb aboard, the engineer threatens to stop the whole train. “ ‘Keep it down!’ yells Driver Zach. ‘You’re giving me a headache attack!’ “ Everyone quickly hushes up, and soon, “the only sound you hear, in fact,/is the sound of the wheels on the railroad track. Clickety clack, clickety clack.” The words bounce along to the rhythm of a train on its way, and the swell of the sound effects makes this a joy to read aloud. Spengler’s robust illustrations capture an antic cast of passengers, conveying the action as much through composition as color. (Picture book. 4-8)

Pub Date: May 1, 1999

ISBN: 0-670-87946-0

Page Count: 32

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1999

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HOW MANY CANDLES?

PLB 0-688-16259-2 Time is relative, as Griffith’s pleasingly droll story makes clear, especially when a cat, a dog, a turtle, and a couple gnats get together to compare longevity. The dog, Alex, has made a cake for his friend, Robbie, a boy turning ten who never appears in these pages. A cat notes that Robbie’s years equal about 70 of hers, while a turtle figures that the same number equals about 8 of his years, because he can live to be 100. Two gnats buzz in to check on the doings, and they can’t even begin to comprehend the very notion of ten years—“ ‘Well, they’re gnats,’ said the cat. ‘Ten years to a boy is one billion years to a gnat.’ “ As Alex tries to determine how many candles are needed for each new configuration, the cat sniffs the cake: “This seems to be made of dog biscuits,” and the higher mathematics are put on the back burner while some sheer tomfoolery comes to the fore. This is a delightful exploration of dry humor and number-juggling, accompanied by some elegantly funny artwork. (Picture book. 5-7)

Pub Date: Aug. 1, 1999

ISBN: 0-688-16258-4

Page Count: 24

Publisher: Greenwillow Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1999

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