A satisfying meat-and-potatoes domestic novel from one of our finest writers.

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COMMONWEALTH

Two families are fused, atomized, and reconfigured by a stolen kiss, a child’s death, and a bestselling novel.

In her seventh work of fiction, Patchett (This Is the Story of a Happy Marriage, 2013, etc.) turns from the exotic locales and premises of Bel Canto (2001) and State of Wonder (2011) to a subject closer to home: the evolution of an American family over five decades. The story begins on a very hot day in Southern California at a christening party for Beverly and Fix Keating’s second daughter, Franny. A lawyer named Bert Cousins shows up uninvited, carrying a bottle of gin. With its help, the instant infatuation he conceives for his stunning hostess becomes “the start of his life.” After Bert and Beverly marry and move to Virginia, the six newly minted stepsiblings are dragged unhappily into new relationships and settings. On another hot afternoon, one of the children dies from a bee sting—a tragedy compounded by long-kept secrets and lies. Jumping ahead, we find Franny in her late 20s, having an affair with a Saul Bellow–type novelist 32 years her senior. “Other than the difference in their ages, and the fact that he had an estranged wife, and had written a novel about her family which in its final form made her want to retch even though she had found it nothing less than thrilling when he was working on it, Franny and Leo were great.” Since Patchett comes from a blended family with the same outlines as the one in this book, the problems created by Leo's fictionalized family history, also called Commonwealth, are particularly intriguing. The prose is lean and inviting, but the constant shifts in point of view, the peripatetic chronology, and the ever growing cast of characters will keep you on your toes.

A satisfying meat-and-potatoes domestic novel from one of our finest writers.

Pub Date: Sept. 13, 2016

ISBN: 978-0-062-49179-4

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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