A subversive take on the coming-of-age romance that will leave readers feeling like witnesses to a very special moment in...

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LEAH ON THE OFFBEAT

From the Simonverse series , Vol. 3

Leah Burke is perched on the precipice of change in the final months of senior year, before everyone in her diverse friend group scatters off to become their college selves.

Leah, Simon Spier’s best friend in Simon vs. the Homo Sapiens Agenda (2015), takes center stage in this sequel. She knows she’s bisexual, but she’s only out to her mom, not her friends, not even to Simon, who is gay. Leah’s cynical and socially awkward but also confident in herself. She’s unapologetically fat. She’s a talented artist and a ripper on the drums. She’s also fierce when called for. When a white friend implies that their classmate Abby Suso only got accepted to her college because she is black, Leah, also white, calls out her bias directly (Abby is not present for this conversation), sparking a nuanced subplot on racism and white allyship. Mostly, though, senior year is characterized by Leah’s aching crush on Abby, the oh-so-beautiful and oh-so-straight girlfriend of Leah’s good friend Nick. When the prom-scene ending finally arrives, even the most Leah-worthy cynics will be rooting for her. With complex characters, authentic dialogue, and messy-but-beautiful friendships, this sequel is more than capable of standing on its own.  

A subversive take on the coming-of-age romance that will leave readers feeling like witnesses to a very special moment in Leah’s life and filled with gratitude for sharing it. (Fiction. 14-18)

Pub Date: April 24, 2018

ISBN: 978-0-06-264380-3

Page Count: 368

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: May 28, 2018

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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