Fast-paced, well-plotted, frequently hilarious—as delicious as the finest French pastry.


From the Lady Janies series

Following the success of their Lady Janies books, the trio of Hand, Ashton, and Meadows enter the world of early modern shape-shifters.

It’s 1560 Paris, the royal court of King Henry and his queen, Catherine de Medici (described by the modern authorial narrators, who use the royal we, as “a playful sort of evil”). Seventeen-year-old Mary, Queen of Scots, has lived there for 12 years, is betrothed to Francis, the French dauphin; is supervised by her powerful French uncles; and is attended by four devoted ladies-in-waiting, all also named Mary. But the religious wars in this version of history aren’t Protestant versus Catholic—they’re between Verities, humans who cannot shape shift, and Eðians, who can. In Scotland, John Knox is publishing pamphlets denouncing Verities and casting doubts on Mary’s fitness to rule while in France, King Henry threatens to persecute all Eðians. Francis knows his beloved can change into a mouse—but so does his mother—and when King Henry dies in a jousting “accident,” Catherine threatens the new queen with a mousetrap. Meanwhile, Ari, daughter of the prophet Nostradamus, has visions that strongly resemble blockbuster movies, and Francis and Mary satisfy the too-curious court on their wedding night by enthusiastically jumping up and down on their bed. Three narrators seamlessly tell the tale, which includes a gentle queer romance. Everybody’s White.

Fast-paced, well-plotted, frequently hilarious—as delicious as the finest French pastry. (Historical fiction. 13-18)

Pub Date: June 22, 2021

ISBN: 978-0-06-293004-0

Page Count: 512

Publisher: HarperTeen

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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Many teen novels touch on similar themes, but few do it so memorably.

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Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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A rambling tale about grief that will appeal to patient, sentimental readers.


Technology prevails over death, giving a teenage couple a second chance at goodbye.

High school senior Julie is paralyzed with grief over her boyfriend Sam’s death in a car accident. She avoids his funeral and throws away every reminder of him. They had planned to leave their small Pacific Northwest town together, and she now faces an uncertain and empty future. But one night she impulsively dials his cell, and, inexplicably, Sam answers. This is the first of many long conversations they have, neither understanding how or why this is happening but relishing the chance to say goodbye as they could not in life. However, Julie faces a difficult choice: whether or not to alleviate the pain of Sam’s loved ones by allowing them to talk to him, though it could put their own connection at risk. Yet, letting go and moving on might be just what she needs. The emotional tenor of the book is even throughout, making the characters feel remote at times and flattening the impact of momentous events—such as Julie and Sam’s first conversation—that are often buried in minor, day-in-the-life details. The time skips can also be difficult to follow. But the concept is a smart one and is sure to intrigue readers, especially those grappling with separation, loss, and mortality. Sam is cued as Japanese American; Julie defaults to White.

A rambling tale about grief that will appeal to patient, sentimental readers. (Fiction. 13-18)

Pub Date: Nov. 2, 2021

ISBN: 978-1-250-76203-0

Page Count: 304

Publisher: Wednesday Books

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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