Joan Aiken or Terry Pratchett this ain't, but the lightweight, gleefully anachronistic comedy will entertain with its cast...

MY LADY JANE

From the Lady Janies series

Lady Jane Grey's nine days as queen are reimagined as a tongue-in-cheek shape-shifter romance.

Between the reigns of adolescent King Edward VI and his bloodthirsty half sister, Mary I, England was ruled for nine days by doomed Lady Jane, a 16-year-old political pawn—or that's how it went in our world. In the world of this novel, both Edward and Jane have happier endings. Instead of Catholics and Protestants, England is torn between the Eðians, who shape-shift into animals, and the Verities, who loathe them. As in reality, Jane is wed to Gifford (Guildford in history) Dudley, installed as queen, and imprisoned by Mary. However, thisJane and Gifford escape their executions through animal magic. It's inconvenient for the newlyweds' sex life that Gifford spends every dawn to dusk as a horse, but it’s also terribly convenient for frantic escapes from Mary's soldiers. Fourth-wall–breaking and pop-culture references that span from Shakespeare to Game of Thronesshow signs of strain, especially the many references to The Princess Bride(1973). The latter, sometimes layered one atop the other without a break, merely highlight this book’s contrast with the classic's stellar comic timing; perhaps it's for the best that few teen readers will be familiar with either the decades-old film or even older book.

Joan Aiken or Terry Pratchett this ain't, but the lightweight, gleefully anachronistic comedy will entertain with its cast of likable heroes and buffoonish villains (. (Fantasy. 13-17)

Pub Date: June 7, 2016

ISBN: 978-0-06-239174-2

Page Count: 512

Publisher: HarperTeen

Review Posted Online: March 16, 2016

Kirkus Reviews Issue: April 1, 2016

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Mouths have never run so dry at the idea of thirst.

DRY

When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.

When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.

Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4814-8196-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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A satisfying if slightly lesser sequel. (Romance. 13-17)

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  • Asian/Pacific American Award for Literature Winner

P.S. I STILL LOVE YOU

From the To All the Boys I've Loved Before series , Vol. 2

Lara Jean's romantic entanglements complicate themselves further.

In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.

A satisfying if slightly lesser sequel. (Romance. 13-17)

Pub Date: May 26, 2015

ISBN: 978-1-4424-2673-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: July 4, 2015

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