Essential, poignant, and insightful reading for anyone aiming to understand familial patterns of addiction.



A writer and former newspaper editor reflects on his family’s addiction issues following his son’s fatal drug overdose in this memoir.

The memoir opens in 2013, with author Magee witnessing his son William lying dead on his couch with a rolled up $20 bill still in his hand. William, who’d spent time in drug rehab, was eager to go to law school but unable to shake his addiction. During their final meeting before his death, William encouraged his father to write a book about their family’s struggles to help other families. Magee writes of being raised in a family that had its share of secrets: His parents covered up his adoption with a fake birth certificate, and his adoptive father was a closeted gay man. Magee also describes his own problems with substance abuse that began in his teens. As a father, he identified similar patterns of addiction in his offspring; his other son, Hudson, got into a life-threatening accident prompted by substance abuse. The memoir closes with the author working on building the William Magee Institute for Student Wellbeing at the University of Mississippi for students with alcohol and drug problems. Magee’s prose is crisp and precise, showcasing an effortless descriptive style: “The first day of February, I peek through the blinds. It’s sunny out, and flakes swirl in the air, although the sky is all blue. Everything else is white, alien, sparkling.” Despite journalistic leanings toward brevity, his writing is never sterile; this passage, describing his bond with his son, is subtly laced with evocative imagery and complex emotion: “He wanted to look out for me. Because I’m fragile. His boy-man face grows wavery as I blink back tears.” The text can be brutal at times, but overall, this is a carefully nuanced work that explores the dark realties of substance abuse. Indeed, despite his tragic loss, Magee’s tone is frequently positive: “Our children’s struggles have changed us. We’re more aware of the suffering of others and more motivated to help them.”

Essential, poignant, and insightful reading for anyone aiming to understand familial patterns of addiction.

Pub Date: Nov. 2, 2021

ISBN: 978-1-953295-68-2

Page Count: 256

Publisher: Matt Holt

Review Posted Online: Dec. 16, 2021

Kirkus Reviews Issue: Feb. 1, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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