Lyrical historical homages—many drawn from magazines such as Life, etc., to both people and events, by eminent historian McCullough (Mornings on Horseback, 1981, etc.). The destinies of McCullough's human subjects unfold from their character and landscape. Enlivened here by the author's lyrical prose, these men and women embody the pioneering spirit in a multitude of pursuits: science (Alexander von Humboldt, Louis Agassiz, Miriam Rothschild); construction (a dual portrait of John Augustus Roebling and Washington Roebling); aviation-writing (a group portrait of Antoine de Saint ExupÉry, Beryl Markham, Charles and Anne Lindbergh). Not all the pieces, though, encapsulate historical figures: there's an essay on world history since 1936, a speech celebrating the bicentennial of Congress, and a personal reminiscence of novelist Conrad Richter. The quality, meanwhile, varies: Two articles on the Brooklyn Bridge are fascinating footnotes to McCullough's The Great Bridge (1972), but a piece on idiosyncratic naturalist Miriam Rothschild ("My microscope is my marijuana") begs for more development, while one on the relationship between Theodore Roosevelt and Marquis de Morés even rambles. Other subjects are Harriet Beecher Stowe, as unwitting author of the abolitionist manifesto; Frederic Remington, as self-taught artist of the Wild West; Harry Monroe Caudill, as crusader against strip-mining interests; David Plowden, as photographer-historian of vanishing aspects of America; and the history-conscious city of Washington, D.C. Shortcomings apart, a fine gallery of diverse and yet subtly connected companion pieces ("no subject is ever one subject," says McCullough) that serve their subjects well.

Pub Date: Nov. 20, 1991

ISBN: 0671792768

Page Count: 256

Publisher: Prentice Hall

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1991

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?