by Denise Mina ‧ RELEASE DATE: Aug. 18, 2020
Finding out about the long-ago murder of her teenage mother fills a woman’s life with terror in this riveting story.
The latest from the prolific Mina is a stand-alone novel. Glasgow doctor Margo Dunlop is grieving the death of her adoptive mother and the breakup of her relationship with the eccentric but affable Joe when she learns she is pregnant. She goes in search of her biological mother and drops right into a nightmare. Months after Margo’s birth and adoption, her mother was brutally murdered. Susan Brodie was a 19-year-old sex worker and former junkie, making her one of the “less dead” of the title, victims the police shrug off as disposable. Margo hears the grisly story when she meets her aunt, Nikki, a survivor of the same desperate circumstances that killed her sister. Nikki might be sober now, but she still has an addict’s deviousness. She is also sure she knows who murdered Susan—a corrupt cop named Martin McPhail—and she urges Margo, who has the money and status Nikki lacks, to help bring him down. The killer, Nikki says, still sends her threatening letters with objects related to Susan’s murder. Margo has barely begun to absorb this disturbing information when she starts getting such letters herself. As she struggles to figure out whom to trust, she’s also dealing with the nasty breakup between her best friend, flighty Lilah, and her obsessive ex, Richard, who is Joe’s brother. Margo meets Jack Robertson, a slickly charming true-crime writer, and Diane Gallagher, an impressive retired police detective, who both know more about Susan’s death than they’re saying. Mina is matchless at building suspicion and creeping dread. Susan might have been a victim, but the novel is filled with strong, resourceful women who won’t let her life and death render her “less."
A bold and bracing twist on the fallen-woman-as-victim story.Pub Date: Aug. 18, 2020
ISBN: 978-0-31652-851-1
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Categories: THRILLER | SUSPENSE | SUSPENSE | GENERAL THRILLER & SUSPENSE | GENERAL FICTION
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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