Fradin sandwiches a present-tense, practically hour-by-hour account of the confrontations at Lexington and Concord between an introductory cast list and a closing “whatever happened to them” feature. Day’s sketchy watercolors capture much of the historical detail but all of the melodrama. Scenes include a lone drummer on Lexington Green rapping out a call to arms, determined-looking Patriots (including the slave, Prince Estabrook) taking on lines of faceless redcoats, Jonathan Harrington dying in his doorway before his horrified wife and son, and like iconic incidents between Paul Revere’s nighttime dispatch and a view of the defeated British straggling into Boston. Backed by a closing overview of the Revolution’s course and multi-level reading lists, this makes a rousing introduction to the war’s opening events. Pair it with the equally stirring likes of Stephen Krensky’s Dangerous Crossing: The Revolutionary Voyage of John Quincy Adams (p. 53). (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2005
ISBN: 0-8027-8945-5
Page Count: 32
Publisher: Walker
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 2005
Categories: CHILDREN'S HISTORY
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Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Categories: CHILDREN'S ANIMALS | CHILDREN'S HISTORY
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A boy experiences the Boston Tea Party, the response to the Intolerable Acts, and the battle at Breed’s Hill in Charlestown.
Philbrick has taken his Bunker Hill (2013), pulled from its 400 pages the pivotal moments, added a 12-year-old white boy—Benjamin Russell—as the pivot, and crafted a tale of what might have happened to him during those days of unrest in Boston from 1773 to 1775 (Russell was a real person). Philbrick explains, in plainspoken but gradually accelerating language, the tea tax, the Boston Tea Party, the Intolerable Acts, and the quartering of troops in Boston as well as the institution of a military government. Into this ferment, he introduces Benjamin Russell, where he went to school, his part-time apprenticeship at Isaiah Thomas’ newspaper, sledding down Beacon Hill, and the British officer who cleaned the cinders from the snow so the boys could sled farther and farther. It is these humanizing touches that make war its own intolerable act. Readers see Benjamin, courtesy of Minor’s misty gouache-and-watercolor tableaux, as he becomes stranded outside Boston Neck and becomes a clerk for the patriots. Significant characters are introduced, as is the geography of pre-landfilled Boston, to gain a good sense of why certain actions took place where they did. The final encounter at Breed’s Hill demonstrates how a battle can be won by retreating.
A crisp historical vignette. (maps, author’s note, illustrator’s note) (Historical fiction. 7-9)Pub Date: May 23, 2017
ISBN: 978-0-399-16674-7
Page Count: 64
Publisher: Nancy Paulsen Books
Review Posted Online: Feb. 14, 2017
Kirkus Reviews Issue: March 1, 2017
Categories: CHILDREN'S HISTORY
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