Beautifully written and alive with compassion, at times almost unbearably poignant. A thrilling book in every way.

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OLIVE, AGAIN

The thorny matriarch of Crosby, Maine, makes a welcome return.

As in Strout’s Pulitzer Prize–winning Olive Kitteridge (2008, etc.), the formidable title character is always a presence but not always onstage in these 13 interconnected tales of loneliness, loss, and love in its many flawed incarnations. Olive has not become any easier to like since her husband, Henry, died two years ago; “stupid” is a favorite adjective, and “phooey to you” a frequent term of dismissal. But over the course of about a decade we see Olive struggling, in her flinty way, to become “oh, just a tiny—tiny—bit better as a person.” Her second marriage, to Jack Kennison, helps. “I like you, Olive,” he says. “I’m not sure why, really. But I do.” Readers will feel the same, as she brusquely comforts a former student with cancer in “Light” and commiserates with the grieving daughter-in-law she has never much liked in “Motherless Child.” Yet that story ends with Olive’s desolate conclusion that she is largely responsible for her fraught relationship with her son: “She herself had [raised] a motherless child.” Parents are estranged from children, husbands from wives, siblings from each other in this keening portrait of a world in which each of us is fundamentally alone and never truly knows even those we love the most. This is not the whole story, Strout demonstrates with her customary empathy and richness of detail. “You must have been a very good mother,” Olive’s doctor says after observing Christopher in devoted attendance at the hospital after she has a heart attack, and the daughter of an alcoholic mother and dismissive, abusive father finds a nurturing substitute in her parents’ lawyer in “Helped.” The beauty of the natural world provides a sustaining counterpoint to charged human interactions in which “there were so many things that could not be said.” There’s no simple truth about human existence, Strout reminds us, only wonderful, painful complexity. “Well, that’s life," Olive says. "Nothing you can do about it.”

Beautifully written and alive with compassion, at times almost unbearably poignant. A thrilling book in every way.

Pub Date: Oct. 15, 2019

ISBN: 978-0-8129-9654-8

Page Count: 304

Publisher: Random House

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: May 15, 2019

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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