The layout and concept deserve better material.

TOOLING AROUND

CRAFTY CREATURES AND THE TOOLS THEY USE

The use of tools by nonhuman animals is explored via 11 animals, each with its own watercolor portrait, rhymed couplet and explanatory gloss.

Unfortunately, in the attempt to rhyme, most of the couplets fail to be clear or memorable. Even the prose is not always clear, as in “Elephants strip leaves from branches. They use the stripped branches to swat flies or other insects that bite them.” (Are the “other insects” attacking the flies or the elephants?) The author’s note is equally difficult to read, perhaps attempting, but failing, to adapt to beginning readers. Probably the best verse—and also the most whimsical art—is this: “Here’s a deer who’s quite well dressed, / wearing grass to look his best.” The single sentence that follows adds, anthropomorphically, “Male red deer smear their antlers with mud or grass to appear bigger and fiercer to other males and more attractive to females.” The sturdy stag is staring into the distance, its antlers interlaced with ferns and grasses. Depictions of flora and fauna show excellent composition and promising, if overworked, artistry, but at the book’s beginning and end, awkward paintings of children sadly match dismally unimaginative verses: “Tools help us everywhere, / on the earth and in the air.” Alas: Where are the limericks of yore, with the pelican whose “bill can hold more than his belican”?

The layout and concept deserve better material. (author’s note, list of animals’ habitat ranges, resources for children, bibliography) (Informational picture book. 4-8)

Pub Date: Sept. 9, 2014

ISBN: 978-1-58089-564-4

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

GRUMPY MONKEY

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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