An exceptionally well-told, perceptive examination of a sexual abuse scandal and its personal and social relevance.

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THE STORY OF A PRIVATE INVESTIGATION

An inquiry into allegations of rape reveals a university’s complicity in fostering a dangerous sports subculture.

In this memoir, Krouse, a creative writing teacher at the Lighthouse Writers Workshop in Denver, explores her role as a private investigator working on a complex and eventually high-profile sexual assault case along with its relevance to her own history of abuse. In 2002, she was hired to help track down leads and interview key figures in a lawsuit being prepared against a university in Colorado. The university’s celebrated football program, it was alleged, encouraged a culture of sexual violence and routinely sheltered athletes from facing legal consequences for criminal acts. Over several years, Krouse gathered key evidence for the attorney leading the case and was instrumental in persuading victims and witnesses to participate in the prosecution. The narrative that emerges is riveting and consistently insightful in its assessment of the psychodynamics of trauma for both victims and offenders; the valorization as well as the exploitation of male athletes; and the often volatile intersection of race, gender, and class in top-level college athletics. Rather than simply demonizing individuals, the author convincingly demonstrates how institutional practices have enabled (and covered up) predatory environments. “Perhaps by ghettoizing these men, isolating them, removing consequences, delivering regular blunt force trauma to their brains, and teaching them daily to hurt people,” she writes, “the university was molding an elite group of potential perpetrators for its own financial gain.” The personal narrative, interwoven seamlessly alongside the professional one, is equally compelling. In explaining the toll her involvement in the case exacted on her, Krouse movingly documents her attempts to gain from her mother an acknowledgment of the abuse she endured as a child—and to make sense of their deeply troubled relationship.

An exceptionally well-told, perceptive examination of a sexual abuse scandal and its personal and social relevance.

Pub Date: March 15, 2022

ISBN: 978-1-250-24030-9

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: Dec. 21, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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