A painful private journey is traced in a sympathetic yet fragmented tale.


A widowed English vicar is forced to face the truth about himself, his marriage, and his faith when his home literally and figuratively falls to pieces.

James Acton might be a member of the great generation who offered themselves up to fight in the Second World War, but he would be the last to say so. Modest and decent, he’s an upright figure—a pilot in the Royal Air Force who met his future wife, Yvette Haddad, while stationed in North Africa. Shot down on a mission, then a prisoner of war, he suffered yet survived, marrying Yvette and becoming a vicar in the south of England. Liardet’s new novel moves back and forth in time, grounded in the present by the now long-widowed Acton, who's taking on a new parish in Upton, but interspersed with commentary by Yvette, drawn from her notebooks. These voice not only her side of the relationship, but also details of the miscarriage of their first child, an event which created a vast schism in Acton’s life. The consequences of that schism and Acton’s eventual owning of his shortcomings, as well as Yvette’s secrets, form the intense core of this hard-to-categorize narrative that also serves as a companion to Liardet’s impassioned previous novel—also set in Upton—We Must Be Brave (2019). The central figure of that book, Ellen Parr, takes a major role here too, befriending Acton, offering wisdom and more to the vicar whose beliefs and structures have suddenly turned to dust. At times affectingly pained and searching, at others reminiscent of the sweetly benign rural community of All Creatures Great and Small, the novel offers a quiet quest for honesty and connection that, though lacking the simple clarity of its predecessor, still offers emotional insight and a memorably humane vision.

A painful private journey is traced in a sympathetic yet fragmented tale.

Pub Date: Feb. 22, 2022

ISBN: 978-0-593-19114-9

Page Count: 400

Publisher: Putnam

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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Strong storytelling in service of a stinging moral message.


A long-lost painting sets in motion a plot intertwining the odyssey of a famed 19th-century thoroughbred and his trainer with the 21st-century rediscovery of the horse’s portrait.

In 2019, Nigerian American Georgetown graduate student Theo plucks a dingy canvas from a neighbor’s trash and gets an assignment from Smithsonian magazine to write about it. That puts him in touch with Jess, the Smithsonian’s “expert in skulls and bones,” who happens to be examining the same horse's skeleton, which is in the museum's collection. (Theo and Jess first meet when she sees him unlocking an expensive bike identical to hers and implies he’s trying to steal it—before he points hers out further down the same rack.) The horse is Lexington, “the greatest racing stallion in American turf history,” nurtured and trained from birth by Jarret, an enslaved man who negotiates with this extraordinary horse the treacherous political and racial landscape of Kentucky before and during the Civil War. Brooks, a White writer, risks criticism for appropriation by telling portions of these alternating storylines from Jarret’s and Theo’s points of view in addition to those of Jess and several other White characters. She demonstrates imaginative empathy with both men and provides some sardonic correctives to White cluelessness, as when Theo takes Jess’ clumsy apology—“I was traumatized by my appalling behavior”—and thinks, “Typical….He’d been accused, yet she was traumatized.” Jarret is similarly but much more covertly irked by well-meaning White people patronizing him; Brooks skillfully uses their paired stories to demonstrate how the poison of racism lingers. Contemporary parallels are unmistakable when a Union officer angrily describes his Confederate prisoners as “lost to a narrative untethered to anything he recognized as true.…Their fabulous notions of what evils the Federal government intended for them should their cause fail…was ingrained so deep, beyond the reach of reasonable dialogue or evidence.” The 21st-century chapters’ shocking denouement drives home Brooks’ point that too much remains the same for Black people in America, a grim conclusion only slightly mitigated by a happier ending for Jarret.

Strong storytelling in service of a stinging moral message.

Pub Date: June 14, 2022

ISBN: 978-0-39-956296-9

Page Count: 416

Publisher: Viking

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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A whimsical fantasy about learning what’s important in life.

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An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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