A book for reluctant readers that highlights the heroism of young activists.

STANDING STRONG

From the PathFinders series

Rhonda Runningcrane, a Blackfoot teenager, feels she has nothing to live for until she hears about a peaceful movement to preserve clean water for her community.

Set on a fictional reservation called Standing Stone, the novel borrows heavily from actual events surrounding the Standing Rock Dakota Access Pipeline protest. Suicide, sexual abuse, spousal abuse, alcoholism, diabetes, drugs, and murder appear in the first eight pages, and this bleak picture of life on the reservation is only partially addressed with the transformation of the main character into an environmental activist. Robinson (Choctaw/Cherokee) (Lands of Our Ancestors Teacher's Guide, 2017, etc.) uses the presence of a female elder and a mechanically savvy uncle as role models for Rhonda, but her development is limited to her relationship to traditional ways. A bit too short to paint a contemporary picture of Rhonda or dig into the historic roots of the troubles Native youth face in America today, the novel relies on a cultural script with few surprises. Even so, the story is an important one as it highlights the relationship between Native oppression and the extractive industries in the United States. In acknowledging the non-Native allies who stood alongside the Native protesters, the novel builds a bridge between communities, reminding readers that we are all affected by the damage being done to the Earth.

A book for reluctant readers that highlights the heroism of young activists. (Fiction. 12-18)

Pub Date: July 30, 2019

ISBN: 978-1-939053-22-0

Page Count: 120

Publisher: 7th Generation

Review Posted Online: May 6, 2019

Kirkus Reviews Issue: June 1, 2019

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Exactly what the title promises.

BETTER THAN THE MOVIES

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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