by Gene Luen Yang ; illustrated by Mike Holmes ‧ RELEASE DATE: Oct. 3, 2017
The coding heroes are in a vulnerable position after Secrets & Sequences (2017).
After an entertaining Ifelse puzzle, the multicultural team of Eni (a black boy), Hopper (a biracial Asian/white girl), and Josh (a pale boy) discover the Turtle of Light, a much more powerful (and much less literal) version than the cute turtle robots from earlier books. The other-dimensional Professor Bee, now noseless, teaches them how to use the Turtle of Light to create and dismiss constructs of “virtually immovable and unbreakable” solidified light, and they’re promptly tested when attacked by Cuddles, the cat robot. After the danger has passed, Bee shows them how they can use repeats more efficiently and nest code. But this tech victory is juxtaposed with social and family conflicts: Eni’s parents want him to stay away from Hopper, Hopper’s mother wants to pull Hopper out of Stately Academy, and Josh is becoming girl-crazy. Meanwhile, the villainous, white Dr. One-Zero abruptly institutes a new chemistry class that will make more of his weaponized green pop. Yang’s integration of coding concepts into an actual mystery plot even as he continues to deepen character development in under 100 graphic pages looks effortless; Holmes’ panels continue to visualize those concepts inventively.
Cool coding and forward plot motion keep this series humming. (Graphic science fiction. 8-14)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-605-5
Page Count: 96
Publisher: First Second
Review Posted Online: July 17, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Jeff Kinney ; illustrated by Jeff Kinney ‧ RELEASE DATE: Nov. 5, 2019
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 19, 2019
Categories: GENERAL GRAPHIC NOVELS & COMICS | CHILDREN'S FAMILY
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More About This Book
SEEN & HEARD
by Jerry Craft ; illustrated by Jerry Craft with Jim Callahan ‧ RELEASE DATE: Feb. 5, 2019
Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.
He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-269120-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: CHILDREN'S SOCIAL THEMES | GENERAL GRAPHIC NOVELS & COMICS
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