A quiet, introspective look at life and how to be human.

HOW DO YOU LIVE?

A teen ponders the complexities of life, history, and humanity in this 1937 classic from Japan that is being animated by Hayao Miyazaki.

Honda “Copper” Jun’ichi is an introspective 15-year-old living in Tokyo with his mother; his father died two years earlier. Like a typical teenager, Copper goes to school, spends time with his friends, and has experiences that affect his worldview and personal growth. Copper’s analyses of his friendships and the bullying of a classmate from a poorer family, along with his youthful maternal uncle’s thought-provoking conversations on science, ethics, and world history, add dimension to a spare plot. It is this latter relationship that produces Copper’s nickname, shortened from Copernicus and reflecting his uncle’s observation that, despite his age, Copper was already developing an expansive, Copernican approach to the world. The colloquial tone of the uncle’s notebook entries and the omniscient narrator’s occasional comments directed at readers are engaging. Simple and beautiful seasonal details reflect Copper’s emotional journey. Small glimpses into prewar Japanese life and culture, including tofu making, school social hierarchies, city life, and the intricacies and symbolism of words, contribute to the atmosphere. A foreword by Neil Gaiman perfectly captures the mood and significance of this book, a childhood favorite of Miyazaki’s and one that is sure to find a select, but eager, readership outside its original homeland.

A quiet, introspective look at life and how to be human. (translator's note) (Fiction. 10-adult)

Pub Date: Oct. 26, 2021

ISBN: 978-1-61620-977-3

Page Count: 288

Publisher: Algonquin

Review Posted Online: June 11, 2021

Kirkus Reviews Issue: July 1, 2021

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Little Blue Truck keeps on truckin’—but not without some backfires.

LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 19, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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