An unsung American hero who used her voice to preserve the natural spaces she loved.
MaVynee Betsch grew up in the Jim Crow South, where she and other Black kids couldn’t swim with the White kids. An orange rope even segregated the ocean. Wanting beaches for all, MaVynee’s wealthy great-grandfather, Abraham Lincoln Lewis, bought a beach in Florida and welcomed African Americans, calling it American Beach. This “ocean paradise” entertained both regular folk and greats like Ray Charles, Zora Neale Hurston, and Ella Fitzgerald. MaVynee herself became a successful opera singer, but when her mother got sick and died, MaVynee abandoned her musical career and returned to Florida only to find her beloved beach in disrepair. Developers wanted to buy it to build condos. Holmes’ stunning, intricately composed paint-and-collage images bring MaVynee to life in full color and capture her eccentricities: She grew her locked hair to 7 feet long, decorating it with seashells, sometimes styling it into a high topknot and other times draping the end over her arm. Holmes uses a brilliant cerulean for ocean and sky and peppers the vibrantly patterned illustrations with found items such as torn raffle tickets, newspaper clippings, promotional posters, and sheet music, making each spread visually rich, realistic, and fascinating. King’s storytelling, Holmes’ artwork, and informative backmatter portray MaVynee Betsch as the larger-than-life Black environmentalist she was. (This book was reviewed digitally with 9.5-by-21-inch double-page spreads viewed at 27.6% of actual size.)
A spectacular story about a little-known eco-warrior whose story should be told and retold. (author's note, illustrator's note) (Picture book/biography. 6-12)Pub Date: April 13, 2021
ISBN: 978-1-101-99629-4
Page Count: 40
Publisher: Putnam
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
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A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”
Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)
Essential. (Nonfiction. 8-12)Pub Date: Nov. 2, 2021
ISBN: 978-1-338-72637-4
Page Count: 96
Publisher: Scholastic Nonfiction
Review Posted Online: Oct. 13, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Categories: CHILDREN'S HISTORY | CHILDREN'S HOLIDAYS & CELEBRATIONS
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Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 29, 2017
Kirkus Reviews Issue: April 15, 2017
Categories: CHILDREN'S HISTORY | CHILDREN'S SOCIAL SCIENCES
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