Thoughtfully takes on issues facing real Black communities.

OKOYE TO THE PEOPLE

A BLACK PANTHER NOVEL

In the latest Black Panther novel, Zoboi takes the reader to the U.S. with the Dora Milaje.

Okoye, a Dora Milaje warrior and protector of Wakandan King T’Chaka, goes on a special diplomatic and humanitarian assignment, accompanying the king and Capt. Aneka to New York. King T’Chaka is invited as a guest of Stella Adams, a wealthy, powerful real estate mogul and leader of an organization called No Nation Left Behind. Though ostensibly friendly, Adams seems sinister, raising Okoye’s alarm bells. Later Okoye meets councilwoman Lucinda Tate, who represents Brownsville, a district of Brooklyn whose population is primarily poor people of color. Tate warns her about Adams and invites King T’Chaka to the opening of the Brownsville community center. Infested with a drug called PyroBliss that is imported by Adams and NNLB, the Brownsville community is under constant assault after users take the drug and set fires that burn the community down, and gentrification pushes residents out. Okoye makes it her personal mission to help the young people in Brownsville rid their community of PyroBliss—and Adams. Multiple social problems plaguing Black and urban spaces are consolidated into this one blond villainess. Rather than being an action-packed superhero story, this novel explores problems rooted in inequities in race, power, and economics and forces readers to confront real and complex social constructs in a semi-imagined world.

Thoughtfully takes on issues facing real Black communities. (Fiction. 12-18)

Pub Date: March 22, 2022

ISBN: 978-1-368-04697-8

Page Count: 272

Publisher: Marvel Press

Review Posted Online: Nov. 30, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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