A wealth of funny new verse from a favorite poet. Prelutsky’s comic muse is at its best here – whether describing a homemade robot gone berserk (“…it ate the dust pan/and attacked us with the broom, /it pulled apart our pillows, /it disheveled both our beds…”) or a whimsical trip to yesterday (“I’m moving very fast/as I’m putting off the future/for the rather recent past…”), he uses unexpected, vivid words in infectiously rhythmic cadences. Amusing details abound – in a long list of the many fish a boy is not catching, or in a tall-tale adventure “that’s the reason why my homework/isn’t here with me today.” Many of the entries end with a nifty surprise or a deft comical twist. Stevenson, who also illustrated Prelutsky’s The New Kid on the Block (1984), contributes quietly hilarious b&w art. Another winner from this talented pair. (Poetry. 5+)
Pub Date: Sept. 8, 1990
ISBN: 0-688-06434-5
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 1, 1990
Categories: CHILDREN'S POETRY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2006
Categories: CHILDREN'S POETRY
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This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1994
Categories: CHILDREN'S POETRY
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