Yara was only 10 when the Arab Spring began and Syria became the center of a brutal civil war.
By the time she was 14, the old days when she skipped through the streets to meet her friend Shireen for dance classes were gone. Aleppo was split in two, and anyone trying to cross between East and West Aleppo could be shot dead by snipers. Yara spent her days indoors behind boarded-up windows as President al-Assad’s helicopters mercilessly dropped bombs. One of these bombs kills Yara’s parents and leaves her trapped under rubble. Miraculously, she, her Nana, and her little brother survive, and they—along with Shireen and her twin brother—begin a slow, hazardous journey to Jordan. They endure long weeks of zigzagging through back roads, bribing corrupt soldiers, and facing danger, thirst, and exhaustion. Even once she reaches safety in Canada, Yara wrestles with guilt and ambivalence over leaving Syria; the trauma and anxiety of losing one’s home, family, and friends never fading. The novel, inspired by Saeed’s own experiences, confronts reality head-on with no attempt at romanticizing the fight for democracy or the unimaginable conditions children are forced to face in their struggle for safety. Through Yara’s eyes, readers are taken inside Syria—and through the emotions of love, loss, and steadfastness in the face of death.
A tribute to refugees that shows them as the courageous survivors of unimaginable trauma. (map, author’s note) (Fiction. 11-14)Pub Date: Oct. 13, 2020
ISBN: 978-1-77321-440-5
Page Count: 264
Publisher: Annick Press
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Categories: CHILDREN'S HISTORICAL FICTION | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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PERSPECTIVES
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 13, 2013
Kirkus Reviews Issue: April 15, 2013
Categories: CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Twin wizards duel, fret, switch roles, and fall for the same guy in this prequel to the popular series.
Continuing on the theme that it isn’t as easy to distinguish good from evil as it might seem, Chainani goes back to a time when the titular school was run by a pair of immortal adolescents. School Masters Rhian and Rafal have been told that loving one another is the only way to maintain the balance between Good and Evil at the school, but a long run of folk and fairy tales written out by the mysterious pen called the Storian—in which Good triumphs—has led to a fraternal rift. The assignment of decided scapegrace Aladdin to, astonishingly, the School for Good widens the antagonism (could the Storian have made a mistake?). But though Aladdin is the main point-of-view character for major stretches in the early going, no sooner does he hook up with dazzling schoolmate Princess Kyma than the author shoves him deep into the supporting cast to make room for a jealousy-fueled break and some bad behavior that comes when first Rafal then Rhian lock gazes and lips with pirate trainee James Hook (latest of a long line of villains defeated by a certain other ageless teen). Most of the cast reads as White. Lush but rare illustrations underscore dramatic incidents.
Series fans may enjoy this patched-together prelude. (Fantasy. 11-14)Pub Date: May 31, 2022
ISBN: 978-0-06-316152-8
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Categories: CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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