A delightful multigenerational story, perfect for bedtime or anytime a child is afraid.
by Janet Costa Bates ; illustrated by A.G. Ford ‧ RELEASE DATE: Sept. 7, 2021
Isaac loves spending time at Grandpop’s house, but is he brave enough for a sleepover?
Isaac is at Grandpop’s for his first sleepover. However, when night falls, Isaac seems hesitant to go to bed. When he tells Grandpop that he isn’t ready for sleep, Grandpop introduces him to a new ritual of saying goodnight to the house, explaining, “First, you move kind of quiet and slow.” This sentence sets the transition for both readers and Isaac as movements and sounds are described as “soft” and “cozy”—perfect words for snuggling in. As Isaac, Grandpop, and Snuffles the Airedale move through the house turning off lights and lowering shades, Isaac notices noises that make him afraid, but Grandpop is there to comfort him and explain the house’s “sleepy sounds.” Before turning in, he reads the pictures of a book to Grandpop, who drifts off in the armchair, bravely says goodnight to the rest of the house, and reads his book to his teddy bear. In no time, Isaac, Grandpop, and Snuffles are fast asleep. Ford’s illustrations of this loving Black duo within the comfy, older house are warm and tender. The rich honey-brown, gold, and blue hues are natural choices for a bedtime book. Isaac’s first-sleepover story is honest and one that young children will appreciate; adult readers will find it nostalgic.
A delightful multigenerational story, perfect for bedtime or anytime a child is afraid. (Picture book. 3-6)Pub Date: Sept. 7, 2021
ISBN: 978-1-5362-0998-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Categories: CHILDREN'S FAMILY
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by Janet Costa Bates & illustrated by Lambert Davis
by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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SEEN & HEARD
by Isabel Otter ; illustrated by Alicia Más ‧ RELEASE DATE: March 24, 2020
Children point out the things they love about their fathers.
“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.
Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-12305-8
Page Count: 32
Publisher: Rodale Kids
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 1, 2020
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by Isabel Otter ; illustrated by Alicia Más
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by Isabel Otter ; illustrated by Joaquin Camp
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adapted by Isabel Otter ; illustrated by Ana Sender
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