A much-needed picture book that will enlighten a new generation about battles won and a timely call to uphold these...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    finalist

LILLIAN'S RIGHT TO VOTE

A CELEBRATION OF THE VOTING RIGHTS ACT OF 1965

In a book commemorating the Voting Rights Act of 1965, readers are introduced to 100-year-old black Alabaman Lillian, who recalls her long-delayed journey to exercise her American right to vote 50 years ago.

As Lillian climbs the “very steep hill” to the courthouse to vote, she reminisces about the struggles that African-Americans faced and overcame on the way to the passage of the historic law that dismantled the widespread exclusionary practices that African-Americans encountered to that point and guaranteed their right to vote. She’s reminded of the legacy of slavery that her great-grandparents Edmund and Ida survived and of the 19th Amendment, which allowed women to vote, yet angry mobs of white locals forced her parents to back away, holding little Lillian by the hand. She pauses to recall the actions in Selma, 1965. She arrives at the voting booth and presses the lever. In Evans’ mixed-media illustrations, a stooped Lillian makes her slow way up the hill as the tableaux of history play out on the page. She is dressed in vibrant colors, contrasting with the faded, translucent historical images. A burning cross figures in one powerful spread; another joins 100-year-old Lillian to her 50-years-younger self at the gutter, emphasizing her determination to claim her rights.

A much-needed picture book that will enlighten a new generation about battles won and a timely call to uphold these victories in the present. (author’s note) (Picture book. 4-8)

Pub Date: July 14, 2015

ISBN: 978-0-385-39028-6

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

Did you like this book?

No Comments Yet

As insubstantial as hot air.

THE WORLD NEEDS WHO YOU WERE MADE TO BE

A diverse cast of children first makes a fleet of hot air balloons and then takes to the sky in them.

Lifestyle maven Gaines uses this activity as a platform to celebrate diversity in learning and working styles. Some people like to work together; others prefer a solo process. Some take pains to plan extensively; others know exactly what they want and jump right in. Some apply science; others demonstrate artistic prowess. But “see how beautiful it can be when / our differences share the same sky?” Double-page spreads leading up to this moment of liftoff are laid out such that rhyming abcb quatrains typically contain one or two opposing concepts: “Some of us are teachers / and share what we know. / But all of us are learners. / Together is how we grow!” In the accompanying illustration, a bespectacled, Asian-presenting child at a blackboard lectures the other children on “balloon safety.” Gaines’ text has the ring of sincerity, but the sentiment is hardly an original one, and her verse frequently sacrifices scansion for rhyme. Sometimes it abandons both: “We may not look / or work or think the same, / but we all have an / important part to play.” Swaney’s delicate, pastel-hued illustrations do little to expand on the text, but they are pretty. (This book was reviewed digitally with 11.2-by-18.6-inch double-page spreads viewed at 70.7% of actual size.)

As insubstantial as hot air. (Picture book. 4-8)

Pub Date: Nov. 10, 2020

ISBN: 978-1-4003-1423-2

Page Count: 32

Publisher: Tommy Nelson

Review Posted Online: Jan. 19, 2021

Did you like this book?

No Comments Yet

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

more