New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single...

HOW TO READ A BOOK

A linguistic and visual feast awaits in Alexander and Sweet’s debut collaboration.

If the mechanics of deciphering words on a page is a well-covered topic, the orchestration of finding magic between pages is an art emphasized but unexplained…until now. First things are first: “find a tree—a black tupelo or dawn redwood will do—and plant yourself.” Once settled, take the book in hand and “dig your thumb at the bottom of each juicy section and pop the words out…[then] // Squeeze every morsel of each plump line until the last drop of magic / drips from the infinite sky.” Reading, captured here in both content and form, is hailed as the unassailably individual, creative act it is. The prosody and rhythm and multimodal sensuousness of Alexander’s poetic text is made playfully material in Sweet’s mixed-media collage-and-watercolor illustrations. Not only does the book explain how to read, but it also demonstrates the elegant and emotive chaos awaiting readers in an intricate partnership of text and image. Despite the engaging physicality of gatefolds and almost three-dimensional spreads, readers with lower contrast sensitivity or readers less experienced at differentiating shapes and letters may initially find some of the more complex collage spreads difficult to parse. Children depicted are typically kraft-paper brown.

New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single step . (Picture book. 4-7)

Pub Date: June 18, 2019

ISBN: 978-0-06-230781-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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There’s always tomorrow.

TOMORROW IS WAITING

A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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See, hear, touch, taste, smell...and imagine poetry all around you.

KIYOSHI'S WALK

A neighborhood walk unleashes the power of poetry.

Kiyoshi, a boy of Japanese heritage, watches his poet grandfather, Eto, write a poem in calligraphy. Intrigued, Kiyoshi asks, “Where do poems come from?” So begins a meditative walk through their bustling neighborhood, in which Kiyoshi discovers how to use his senses, his power of observation, and his imagination to build a poem. After each scene, Eto jots down a quick poem that serves as both a creative activity and an instruction for Kiyoshi. Eventually Kiyoshi discovers his own poetic voice, and together the boy and his grandfather find poems all around them. Spare, precise prose is coupled with the haiku Kiyoshi and his grandfather create, building the story through each new scene to expand Kiyoshi’s understanding of the origin of poems. Sensory language, such as flicked, whooshed, peeked, and reeled, not only builds readers’ vocabulary, but also models the vitality and precision of creative writing. The illustrations are just as thoughtfully crafted. Precisely rendered, the artwork is soft, warm, and captivating, offering vastly different perspectives and diverse characters who make up an apparently North American neighborhood that feels both familiar and new for a boy discovering how to view the world the way a poet does. Earth tones, coupled with bright yellows, pinks, and greens, draw readers in and encourage them to linger over each spread. An author’s note provides additional information about haiku.

See, hear, touch, taste, smell...and imagine poetry all around you. (Picture book. 4-7)

Pub Date: March 9, 2021

ISBN: 978-1-62014-958-4

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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