Middle school angst tempered by humorous insights.

WE ARE PARTY PEOPLE

Pixie has contentedly played introvert to her extroverted parents, but now circumstances demand that she expand her limited comfort zone.

Mom had to leave over a month ago to visit her own ailing mother in Fresno, so the white 12-year-old and her dad, Dan the Man, must run the family business—preparing, producing, and running birthday parties—without charismatic Mom. Pixie is infuriated when her father announces, “We need you to be a mermaid next Saturday.” “Next Saturday” means in approximately two weeks, and Pixie is determined to avoid the assignment. For years, she has been an organized, quietly competent part of the business. Meanwhile, she and her less-than-popular friends join a class-president campaign for the seemingly self-assured Sophie, a white classmate whose personality does as quick an about-face as Pixie’s by story’s end. Pixie narrates in the present tense, with plenty of flashbacks, musings, and editorializing, running the full gamut from humorous to dead serious. Occasionally, her confessions reveal a tendency that seems to veer beyond shyness into acute anxiety. The strongest chapters are the lively accounts of how Pixie and Dan organize and run parties without Mom. As Pixie takes risks, she moves beyond self-consciousness and even faces her former nemesis. Unfortunately, the character arc may have some readers inferring that an outgoing, entertaining personality is superior to one of quiet supportiveness. Racial and sexual diversity exist among secondary characters.

Middle school angst tempered by humorous insights. (Fiction. 8-12)

Pub Date: Oct. 3, 2017

ISBN: 978-0-374-30388-4

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

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BROWN GIRL DREAMING

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 25, 2014

Kirkus Reviews Issue: July 15, 2014

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