A somewhat repetitive but often wise and inspiring self-help title strengthened by the author’s very personal experiences...
by Matt Haig ‧ RELEASE DATE: Feb. 12, 2019
An anxiety-afflicted writer offers thoughtful tools for coping with our anxiety-provoking culture.
In this illuminating follow-up to his memoir, Reasons to Stay Alive, novelist and children’s author Haig (How to Stop Time, 2018, etc.) continues to explore how the rapid pace of our modern world can adversely affect our psyche. Early on, he asks, “how can we live in a mad world without ourselves going mad?” In bite-sized chapters, the author considers the various issues that plague us, including our increasing addiction to smartphones and social media, the emotional impact of absorbing 24-hour cycles of often grueling international news events, and our collective lack of sleep. Haig recalls his past anxiety attacks and prolonged bouts of serious depression, emotional episodes he addressed in his previous memoir, but here he reflects on the details as a launching pad for confronting these challenges. “In writing this book I have tried to look at the human psychological cost of the world by looking at the only psychology I truly know—my own,” he writes. “I have written about how we as individuals can try to stay sane within a maddening world. The fact that I have had mental illness, though a nightmare in reality, has educated me on the various triggers and torments of the modern world.” Haig’s solutions align with the current trend of mindfulness exercises—conscious breathing techniques, meditation, walks in nature, etc.—but he also expounds on the deeper benefits derived from reading good books and other activities. His prescription is to embrace the best of what modern culture has to offer and attempt to find balance rather than allow ourselves to be overwhelmed by the increasing demands of so much social and technological stimuli. As he notes, “a completely connected world has the potential to go mad, all at once.”
A somewhat repetitive but often wise and inspiring self-help title strengthened by the author’s very personal experiences and acquired insight.Pub Date: Feb. 12, 2019
ISBN: 978-0-14-313342-1
Page Count: 272
Publisher: Penguin
Review Posted Online: Oct. 28, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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