A fine Orwell biography with equally fine diversions into his favorite leisure activity.

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ORWELL'S ROSES

A fresh perspective on the iconic writer.

Perhaps the greatest political writer of modern times was also an avid gardener. It might seem contrived to build a biography around his passion, but this is Solnit—a winner of the Kirkus Prize and National Book Critics Circle Award, among many other honors—so it succeeds. Certain that democratic socialism represented the only humane political system, Orwell lived among other like-minded leftists whose shortcomings infuriated him—especially (most being middle-class) their ignorance of poverty and (this being the 1930s and 1940s) their irrational attraction to a particularly nasty delusion in Stalin’s regime. “Much of the left of the first half of the twentieth century was akin to someone who has fallen in love, and whose beloved has become increasingly monstrous and controlling,” writes Solnit. “A stunning number of the leading artists and intellectuals of that era chose to stay with the monster—though unlike an abusive relationship, the victim was for the most part not these ardent lovers but the powerless people of the USSR and its satellites.” Unlike many idealists, Orwell never assumed that it was demeaning to enjoy yourself while remaining attuned to the suffering of others, and he made no secret of his love of gardening. Wherever he lived, he worked hard to plant a large garden with flowers as well as vegetables and fruit. Solnit emphasizes this side of his life with frequent detours into horticultural topics with political lessons. She also chronicles her visits to the source of most American flowers: massive greenhouse factories in South America, especially Colombia, which grows 80% of the roses sold in the U.S. The author grippingly describes Stalin’s grotesque plan to improve Soviet food production through wacky, quasi-Marxist genetics, and readers will be fascinated to learn about artists, writers, and photographers whose work mixes plants and social reform.

A fine Orwell biography with equally fine diversions into his favorite leisure activity.

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-08336-9

Page Count: 256

Publisher: Viking

Review Posted Online: Aug. 3, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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