A solid and appealing story of combining meditation and traditional health care.



A woman’s account of fighting cancer with the help of meditation.

In this debut memoir, Brock recounts the year she spent in treatment for breast cancer with a focus on the personal practice she developed to manage pain, frustration, and fear. Brock separates the process into five components, which she calls by the acronym “LOVEE”: “Label, Observe, Value, Embrace, and Equanimity.” The book is divided into sections devoted to each, while telling Brock’s story of her diagnosis in 2018 at the age of 44, her treatment, and her recovery, and a more analytical and detached discussion of the relevant aspects of meditation and mindfulness. Meditation scripts (with links to recorded versions on the author’s website) appear throughout. Brock, a longtime practitioner of yoga and meditation, received her diagnosis just after being laid off from a blog editing job, and just before she was about to pursue her dream of making a pilgrimage along the Camino de Santiago in Spain. She tells of spending her days in doctors’ offices, undergoing chemotherapy and a mastectomy, and receiving support from her mother and friends. Brock meditated through her chemotherapy sessions, which, she says, gave her a better understanding of how her mind and body reacted to the cancer and its treatment, allowing her to take an active role in her healing. Brock is an incisive writer (“I learned to separate my diagnosis from my fear of death and to see them as two distinct concepts”), and she also displays a sense of humor; her description of meeting her surgeon is particularly amusing: “He was an attractive man wearing thick, black-framed glasses, reminiscent of Clark Kent. I thought to myself, Is my doctor Superman?” Some readers may be skeptical of some of the author’s assertions, as when she states her belief that meditation allowed her to avoid all side effects of chemotherapy. However, the book doesn’t stray too far from mainstream science’s understanding of the complex relationship between body and mind. Even those who shy away from meditation will find plenty to appreciate in this highly readable account.

A solid and appealing story of combining meditation and traditional health care.

Pub Date: Aug. 17, 2021

ISBN: 978-1-982266-31-8

Page Count: 216

Publisher: BalboaPress

Review Posted Online: June 14, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.


A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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