Never leaves the launchpad.

MARS IS

STARK SLOPES, SILVERY SNOW, AND STARTLING SURPRISES

A photo gallery of Martian landforms and surface features, taken by the Mars Reconnaissance Orbiter’s powerful HiRISE camera.

A failure in both concept and execution, this set of big, square close-ups not only renders HiRISE’s extraordinarily high-resolution shots as, too often, murky blurs, but pairs them to passages of commentary that don’t consistently mention essentials like scale and location—or even seem to be describing what’s on display. Slade offers just a small wedge of what she vaguely dubs a “colossal crater,” for instance, while leaving viewers to search for invisible “channels in the ice” carved among unexplained hillocks at the Martian south pole and wondering what the dark, brushlike formations that seem to be sticking up from “northern sandy dunes” even are. She just swoons over the planet’s “gorgeous rocky layers” and “lovely linear ridges” while building up to a rhapsodic finale (“completely breathtaking!… / Mars is more amazing than anyone ever imagined!”) in immense type. Capped by a closing timeline that asks readers to believe that Mars was “first discovered” in the 1600s, this outing offers neither the information nor the inspiration of similar photo essays like Seymour Simon’s Mars (1987) and Elizabeth Rusch’s Mighty Mars Rovers (2012).

Never leaves the launchpad. (Informational picture book. 7-9)

Pub Date: April 1, 2021

ISBN: 978-1-68263-188-1

Page Count: 48

Publisher: Peachtree

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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Tantalizing glimpses of hidden natural treasures, with breathtaking art.

CAVES

An invitation to share some of the world’s speleological wonders.

Lit by the flashlights of small visitors, huge, rugged, shadowy spaces beckon in Chock’s powerfully atmospheric illustrations as Beckerman’s accompanying mix of free-verse commentary and blocks of explanations in smaller type turn general impressions into specific sites and sights. Among the latter are the dazzling tangle of giant selenite crystals in Mexico’s Cueva de los Cristales, ancient cave paintings at Lascaux in France, an immense underwater cave system in Florida, and (for truly courageous adventurers) the “silently squirming ceiling” of glowworms in New Zealand’s Waitomo Caves. The author also pays particular tribute to the group of women who ventured into the constricted reaches (judged too narrow for men) of South Africa’s Rising Star cave system to uncover fossils of a new prehistoric cousin, Homo naledi. All around the world caves are waiting “for / wondering, / wandering / explorers / like you,” she concludes. “Do you dare?” For those who might, the book closes with lists of safety rules and recommended caving gear. Tiny spelunkers in the art are nearly all bundled up and facing away from viewers, but some at least are plainly children, and an observation that the floors of some lava tubes in Australia are flat enough for wheelchairs makes Beckerman’s invitation even more inclusive. (This book was reviewed digitally.)

Tantalizing glimpses of hidden natural treasures, with breathtaking art. (cave facts, author’s and illustrator’s notes, photos) (Informational picture book. 7-9)

Pub Date: Oct. 4, 2022

ISBN: 978-1-338-72662-6

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: yesterday

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Together with its companions, too rushed to be first introductions but suitable as second ones.

MARIE CURIE AND RADIOACTIVITY

From the Graphic Science Biographies series

A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.

In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.

Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5415-7821-0

Page Count: 40

Publisher: Graphic Universe

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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