A love letter to misfits who have been scared to let their stardust shine.

MISS METEOR

Can a small town embrace the wholeness of four teens: a self-proclaimed tomboy, a transgender athlete, a brilliant artist, and a girl born from stardust?

In Meteor, New Mexico, the annual Meteor Regional Pageant and Talent Competition Showcase is a major attraction for Miss Meteor contestants and the local businesses that depend on tourism to survive. The Quintanilla family runs a diner with their four daughters. Chicky, the youngest, could not care less about the pageant while her ex–best friend, Lita, has always dreamed of such an honor—even though thin, blond, White girls always seem to win. The estranged friends team up and, with help from their friends Junior and Cole and the Quintanilla sisters, hatch a plan to upset the town’s social hierarchy by helping Lita compete in the pageant. Drama ensues that characterizes the best telenovelas: unrequited love, bullies and popular mean girls, town gossips, and, of course, a curandera. Underneath there lies a heartfelt response to White supremacy, especially as it relates to brown bodies. Extended metaphors of stardust and space magic could grow tired in less capable hands, but they work powerfully in Mejia and McLemore’s descriptions of teenage emotional urgency when courage can be as a fleeting as a shooting star. Most main characters are Latinx; Cole is White.

A love letter to misfits who have been scared to let their stardust shine. (Magical realism. 12-18)

Pub Date: Sept. 22, 2020

ISBN: 978-0-06-286991-3

Page Count: 400

Publisher: HarperTeen

Review Posted Online: July 8, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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