An uplifting novel that celebrates love, family, and the women who put those qualities first in their lives.

THE WHITE GIRL

In this novel by Indigenous Australian author Birch, generational trauma and healing are explored through the lives of a dark-skinned woman and her light-skinned granddaughter.

Odette Brown is the proverbial strong Black woman, but that's where simple categorizations cease. Odette’s daughter, Lila, abandoned her own toddler more than a decade ago, leaving the light-skinned girl in Odette’s care. Now Sissy is on the verge of her teenage years, having known only the love and protection of her grandmother, and a rigid new officer, Sgt. Lowe, has arrived to run the local police station. Unlike the old guard, which was content leaving well enough alone, this new lawman is a zealot, convinced of the righteousness of his cause, which spells trouble for Odette and Sissy. They’re Aboriginals, and with her mother gone, Sissy should fall under the guardianship of the state, a policy that Lowe intends to enforce. The shameful true history of Australia’s racist policies of the early- and mid-20th century is presented in part through Odette’s story but also through snippets about other families torn apart by this disastrous program as Birch shines a light on the countless untold stories of the Stolen Generation. With accessible prose and a driving plot, Birch brings the period to life, and the depth and realism of the characters give the book a feeling of authenticity. Odette's dogged resolve is matched by the kindness and bravery of her supporters, both White and Black, as she and Sissy fight to stay together. Birch plumbs the murk for a story that’s all heart.

An uplifting novel that celebrates love, family, and the women who put those qualities first in their lives.

Pub Date: March 15, 2022

ISBN: 978-0-06-321353-1

Page Count: 272

Publisher: HarperVia

Review Posted Online: Jan. 26, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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Enjoyable storytelling by two masters of the craft.

22 SECONDS

Lindsay Boxer faces a ton of trouble in the latest entry in Patterson and Paetro’s Women’s Murder Club series.

Senior crime reporter Cindy Thomas is writing a biography of Evan Burke, a notorious serial killer who sits in solitary confinement in San Quentin. She’s kidnapped by thugs wanting her to talk about her best friend, Lindsay Boxer, who’s an SFPD homicide detective and the story’s main character. San Francisco has a restrictive new gun law, and gun-totin’ folks everywhere have their boxer shorts in a twist. A national resistance movement has formed—Defenders of the Second—whose motto is “We will not comply.” They find it outrageous that the new law makes it illegal to own a gun that can kill 50 people with a single clip. Meanwhile, lots of bodies show up: A young girl disappears and is later found dead in a ditch, and ex-cops are found dead with their lips stapled shut and “You talk, you die” written on their foreheads. An inmate is found hanged in prison. And “a massive but unspecified load of military-style weaponry was en route from Mexico to the City by the Bay.” In a “frustrating, multipronged case,” there’s a harrowing shootout memorialized in a video showing “twenty-two of the scariest seconds” of Boxer’s life. She’s an appealing series hero with loving family and friends, but she may arrive at a crossroads where she has “to choose between my work and [my] baby girl.” The formulaic story has unmemorable writing, but it’s entertaining and well told. You probably won’t have to worry about the main characters, who have thus far survived 21 adventures. Except for the little girl, you can expect people to get what they deserve. It's relatively mild as crime novels go, but the women characters are serious, strong, and admirable.

Enjoyable storytelling by two masters of the craft.

Pub Date: May 2, 2022

ISBN: 978-0-316-49937-8

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Well-done crime fiction. Baldacci nails the noir.

DREAM TOWN

An old-fashioned gumshoe yarn about Hollywood dreams and dead bodies.

Private investigator Aloysius Archer celebrates New Year’s Eve 1952 in LA with his gorgeous lady friend and aspiring actress Liberty Callahan. Screenwriter Eleanor Lamb shows up and offers to hire him because “someone might be trying to kill me.” “I’m fifty a day plus expenses,” he replies, but money’s no obstacle. Later, he sneaks into Lamb’s house and stumbles upon a body, then gets knocked out by an unseen assailant. Archer takes plenty of physical abuse in the story, but at least he doesn’t get a bullet between the eyes like the guy he trips over. A 30-year-old World War II combat veteran, Archer is a righteous and brave hero. Luck and grit keep him alive in both Vegas and the City of Angels, which is rife with gangsters and crooked cops. Not rich at all, his one luxury is the blood-red 1939 Delahaye he likes to drive with the top down. He’d bought it with his gambling winnings in Reno, and only a bullet hole in the windscreen post mars its perfection. Liberty loves Archer, but will she put up with the daily danger of losing him? Why doesn’t he get a safe job, maybe playing one of LA’s finest on the hit TV show Dragnet? Instead, he’s a tough and principled idealist who wants to make the world a better place. Either that or he’s simply a “pavement-pounding PI on a slow dance to maybe nowhere.” And if some goon doesn’t do him in sooner, his Lucky Strikes will probably do him in later. Baldacci paints a vivid picture of the not-so-distant era when everybody smoked, Joe McCarthy hunted commies, and Marilyn Monroe stirred men’s loins. The 1950s weren’t the fabled good old days, but they’re fodder for gritty crime stories of high ideals and lowlifes, of longing and disappointment, and all the trouble a PI can handle.

Well-done crime fiction. Baldacci nails the noir.

Pub Date: April 19, 2022

ISBN: 978-1-5387-1977-0

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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