Geni continues to create works of art with perfect voices that are simultaneously thrillers and meditations on nature. It is...

THE WILDLANDS

Geni’s (The Lightkeepers, 2016) fascination with the borders between human and animal drives this distinctive sophomore novel.

Darlene, Tucker, Jane, Cora: Already motherless, they are transformed in seconds into modern orphans when a massive tornado sweeps their small piece of the Oklahoma plains, disappearing their childhood home, their barn animals, and their father. More transformations await. Darlene, now a legal guardian, scrapes together a subsistence for the siblings instead of going to college. Their new life is sufficient for Jane and for Cora (whose memories extend no further back than the tornado) but is untenable for Tucker. He runs away to nurse a streak of wildness, becoming a dangerously zealous animal rights activist, returning to bomb a cosmetics factory close to home and releasing the bewildered test animals. And while the tornado is catalytic, catastrophe occurs when Tucker kidnaps 9-year-old Cora. He needs someone to tend his gruesome wounds from the bombing but seemingly desires a spiritual accomplice as well. Cora joins her big brother lovingly and willingly. On the lam, she sees more and more to make her uneasy; bombing is but one of the destructive crimes Tucker is willing to commit in the name of the animals. But Cora is enthralled by the fairy tale Tucker spins around their adventure and confused by the new identity Tucker has given her as a boy named Corey. Back home, Darlene’s devastation is palpable, as are her anger, desperation, and strength of will. She and Jane find an ally in a local police officer, but their hope of finding Cora wanes along with the summer. Cora’s experience, narrated in first-person chapters, is tender and terrifying. Tucker is almost exclusively viewed through her eyes, but readers can see the abhorrence of his actions clearly. At the same time, Geni uses him to limn the intelligence and order of the animal world and to raise valid, troubling questions about humans’ treatment of their fellow beasts. Darlene, an impressive example of grit, provides a counterpoint. The question of the novel is what Cora will become—what any of us could become—when placed in the eyes of that storm.

Geni continues to create works of art with perfect voices that are simultaneously thrillers and meditations on nature. It is an incredible trick.

Pub Date: Sept. 4, 2018

ISBN: 978-1-61902-234-8

Page Count: 368

Publisher: Counterpoint

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

Did you like this book?

No Comments Yet

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

Did you like this book?

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

more