A bright spark of a promising series.

INFINITY SON

From the Infinity Cycle series , Vol. 1

Magic goes viral in Silvera’s (contributor: Color Outside the Lines, 2019, etc.) fantasy debut. But can it win a war?

For brothers Brighton and Emil, their 18th birthday is “off to a rough start.” The two dream of being celestials (people with magic abilities) but are reminded yet again that they’re “painfully ordinary.” Or are they? When potions dealers attack the brothers, Emil discovers that he has phoenix fire within. Brighton uploads a video of the fight online, propelling Emil—whom the celestial-obsessed dub “Fire-Wing”—to superstardom. The brothers find themselves caught in the crossfire between the heroic Spell Walkers, who fight for the end of celestial persecution, and the power-hungry Blood Casters, who gain magic by stealing it from creatures. With its raw, complex characters, Silvera’s latest packs his signature high-stakes emotionalism alongside a politically charged premise. The alternate New York City setting mixes current tech (e.g., virtual reality and Instagram) with magical tech (e.g., wands and gem-grenades) to create a richly contemporary urban landscape. Though Silvera mostly switches between Emil’s and Brighton’s strong, first person, present-tense narration, the perspectives of a Spell Walker and a Blood Caster are also magnified. The cast primarily consists of people of color, several of whom are also queer (including Emil, who is gay).

A bright spark of a promising series. (Fantasy. 12-adult)

Pub Date: Jan. 14, 2020

ISBN: 978-0-06-245782-0

Page Count: 368

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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An immersive tale of brave, vulnerable teens facing threats both real and fantastic.

ALL OUR HIDDEN GIFTS

An Irish teen grapples with past misdeeds and newfound ties to magic.

When 16-year-old Maeve discovers a deck of tarot cards stashed with a mixtape of moody indie music from 1990, she starts giving readings for her classmates at her all-girls private school. Though her shame over dumping her strange friend Lily during an attempt to climb the social ladder at St. Bernadette’s is still palpable, it doesn’t stop her from trying to use the tarot in her favor to further this goal. However, after speaking harsh words to Lily during a reading, Maeve is horrified when her former friend later disappears. As she struggles to understand the forces at play within her, classmate Fiona proves to be just the friend Maeve needs. Detailed, interesting characters carry this contemporary story of competing energy and curses. Woven delicately throughout are chillingly eerie depictions of the Housekeeper, a figure who shows up on an extra card in the deck, echoing the White Lady legend from Irish folklore. Even more disturbing is an organization of young people led by a homophobic but charismatic figurehead intent on provoking backlash against Ireland’s recent civil rights victories. Most characters are White; Fiona is biracial, with a Filipina mother and White Irish father. Roe, Maeve’s love interest and Lily’s sibling, is a bisexual, genderqueer person who is a target for intolerance in their small city of Kilbeg.

An immersive tale of brave, vulnerable teens facing threats both real and fantastic. (Paranormal. 14-18)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1394-2

Page Count: 384

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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