An authentically middle school voice and diverse Latinx cast make this book a standout

THE MOON WITHIN

A worthy successor to Are You There God? It’s Me, Margaret set in present-day Oakland.

Eleven-year-old Celi, mixed black–Puerto Rican–Mexican, dreads the imminent arrival of her period, less because of the menstruation itself and more because her mother insists that Celi have a “moon ceremony,” in which the members of her mother’s “women’s circle” will mark the transition from childhood to womanhood. Meanwhile, her best friend is going through a different transition—from girl to xochihuah, “neither / female nor male but both.” While Celi is initially shocked by the adjustment, she loves Mar, as her best friend now prefers to be known, no less. But when other kids, including her crush, Iván, say cruel things about Mar, Celi is torn between the possibility of a first kiss and loyalty to her friend. Salazar’s verse novel is sensitive and fresh, featuring modern interpretations of pre-Columbian coming-of-age traditions that arise organically from the characters. Mar’s heritage is Mexican, and Iván is mixed, black and Mexican; Celi and Mar’s participation in a Puerto Rican performance group and their mothers’ shared, deeply felt Xicana identity allow Salazar to naturally explore cultural nuances not often seen in middle-grade fiction. Genderfluid Mar takes both that name and the masculine pronoun midway through the book, and Celi’s narration adjusts accordingly even if some of their peers’ attitudes do not.

An authentically middle school voice and diverse Latinx cast make this book a standout . (Verse fiction. 8-12)

Pub Date: Feb. 26, 2019

ISBN: 978-1-338-28337-2

Page Count: 240

Publisher: Levine/Scholastic

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

CHARLOTTE'S WEB

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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