An honest, conflicted glimpse of a country “still sorting through the contradictions of a rapid, and inevitably messy,...

INDIA BECOMING

A PORTRAIT OF LIFE IN MODERN INDIA

Lively, anecdotal look at the people who have been vastly changed by the entrepreneurial explosion in India.

In 2003, Kapur, a half-American, half-Indian journalist, moved back to India, where he had been raised, after more than a decade in America. The country he left as a teenager was still stifled by “fatalism and bureaucracy,” where people were heavily burdened by the rigid social order and tradition. India had enthusiastically embraced globalization, the modern trappings in evidence by ATMs, software parks, cell phones and tractors having replaced bullock carts. On one hand, Kapur saw new Indians who dared to imagine for themselves a different kind of future; on the other, he found that development had taken a terrible toll on the environment, law and order and wealth distribution. The author returned to his home state, yet he traveled widely to meet people and witnessed a “great transformation unfold, unfurl like a heavy, crushing carpet over fragile societies and cultures”—e.g., in the crumbling of the old feudal order, as explained by his new friend Sathy, from a once-powerful noble family accustomed to deference from its inhabitants, especially Dalits. Now Sathy only encountered disrespect and resentment, as new money eroded loyalties and even obedience to law. Kapur talked to many people: a young homosexual, resistant to his parents’ traditional matchmaking but riven by ambivalence; a sex therapist overwhelmed by demands of patients exploring their sexuality for the first time; the acquisitive new urban entrepreneurs both male and female who dated and traveled freely; cow brokers at the shandies in Brahmadesan; scavengers of the landfill outside Pondicherry, which was poisoning the atmosphere. The author finds a nation gripped by an illusory sense of itself and in the throes of wrenching change.

An honest, conflicted glimpse of a country “still sorting through the contradictions of a rapid, and inevitably messy, transformation.”

Pub Date: March 15, 2012

ISBN: 978-1-59448-819-1

Page Count: 304

Publisher: Riverhead

Review Posted Online: Feb. 1, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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