A novel full of people—flawed, scarred, scared—discovering how to punish themselves less and connect with others more.

FAITHFUL

Hoffman takes a break from writing about distant places and the distant past (Marriage of Opposites, 2015, etc.) to explore the psyche of a young Long Island woman afflicted by survivor guilt.

In her own mind, Shelby Richmond stole her best friend’s future. Two years have passed since the car accident that left Helene tethered to a feeding tube in her childhood bedroom just before she should have graduated from high school, a mute but lovely shadow of her former badass self, a magnet for pilgrims hoping to be cured by touching her hand. This cringeworthy spectacle sometimes causes Shelby to ponder whether it's better or worse that her friend lived. Mainly, though, Shelby focuses on enacting her own penance for being physically and cognitively intact (the jury’s out on emotionally): by shaving her head, sleeping like Dracula in her parents’ basement, skipping college, and sometimes cutting herself in places she thinks won’t be detected. Miserable as things are for Shelby, Hoffman provides readers as well as her deeply wounded heroine some quirky human anchors to make her journey back to higher functionality more than bearable, even entertaining: e.g., an anonymous Samaritan, apparently male, who sends her hand-drawn postcards bearing get-well messages in the form of visual and verbal riddles. And there's black-humored levity in Shelby’s snarky exchanges with Ben Mink—her marijuana source who's grown from high school geek to handsome striver and brings her Ray Bradbury books to read. “I believe in tragedy,” she tells him apropos of Helene’s faithful flock. “Not miracles.” Though bald and self-medicating, she grasps that moving in with Ben while he attends pharmacy grad school (!!!) at NYU might be a better direction. While shacking up with Ben, she finds a job cleaning cages at a gritty pet store. The silver lining is her co-worker Maravelle, a single mom of three young kids, whose lack of self-pity over her bad luck with men ("See a charmer and you're bound to see a snake nearby") attracts Shelby. Perhaps there’s a way these two bruised women can help each other? Ultimately, though, it’s Sue Richmond, Shelby’s mom, who proves to be the real saint of the narrative—her unobtrusive shaping of Shelby’s better instincts is one of the most touching aspects of the book. With Hoffman, it’s a safe bet deus ex machina or mild enchantment is going to enter the plot. By the time it does, however, Shelby’s well on her way to recalibrating. She couldn’t save her friend, but Hoffman endows her with the inner weather to save herself.

A novel full of people—flawed, scarred, scared—discovering how to punish themselves less and connect with others more.

Pub Date: Nov. 1, 2016

ISBN: 978-1-4767-9920-9

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: July 27, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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