A deliberately digressive foray into an enduring yet slippery style of music.



A novelist explores his ardor for Hindustani classical music.

In addition to being an acclaimed novelist, Chaudhuri is an accomplished singer of khayal, the most prominent genre of North Indian classical music. He first studied it when he was a teenager in Bombay, frustrated in his efforts to become a Western-style singer/songwriter à la Neil Young and Bob Dylan. This wasn’t as simple a leap as choosing a new genre to perform. “Indian classical music is as incomprehensible to most Indians as it was to the English” he writes, and raga (and its various subcategories) is a challenging music to perform and describe. Much of the book betrays this struggle, and Chaudhuri sometimes wanders deep in the musicological weeds when exploring the music’s complex rhythmic and melodic patterns. Though he provides some points of comparison to Western music, from Beethoven to John Lennon, there’s little that’s analogous. A Beethoven symphony, he writes, represents actions and events while a raga evokes a state of being: “The raga is not about the world; it’s of it.” Early on, the author concedes that an orderly explanation of the music is out of his grasp, and the first section, “Alaap,” which refers to the introductory section of a raga, consumes two-thirds of the book. The text is engrossing when Chaudhuri speaks personally of his own experiences with the music: how he inherited his mother’s love for singing, raga's uneasy relationship with Hindu religious tradition, its connection to poetry, and the feeling of transcendence it can deliver. Those looking for an orderly introduction to the music will be disappointed, but directness has never been Chaudhuri’s goal. As both a writer and singer, “I have a tendency not to come to the point.” Regardless, fans of the music, and those attuned to his more impressionistic approach, will see the charm in it.

A deliberately digressive foray into an enduring yet slippery style of music.

Pub Date: March 30, 2021

ISBN: 978-1-68137-478-9

Page Count: 264

Publisher: New York Review Books

Review Posted Online: Dec. 8, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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