BEDTIME FOR MOMMY

A wry role-reversal tale finds a freckle-faced little girl cajoling her mother into bed. After granting her mom “five more minutes” at her desk, the tot gets her into the tub, helps her pick out tomorrow’s outfit and reads her a book (just one—Anna Karenina—because “it’s getting late”). A glass of water and a kiss later, this determined little girl is ready for the next task: “Daddy! Time for bed!” Rosenthal’s text consists entirely of dialogue in speech bubbles, which makes way for Pham’s ink-and-watercolor vignettes to milk the situation for all it’s worth. Mommy’s body language and expressions are so thoroughly childlike despite their entirely adult proportions that both kids and adults will find themselves giggling. It’s a game played out in families everywhere and executed very well here. (Picture book. 3-6)

Pub Date: April 1, 2010

ISBN: 978-1-59990-341-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 31, 2010

Kirkus Reviews Issue: March 15, 2010

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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JAZZ BABY

A snappy rhyming text celebrates an extended family’s joyous gyrations to the jazz spinning on the turntable. From waking to sleep, Baby’s right in the thick of it, as siblings, grandparents and cousins move and groove: “So they BOOM-BOOM-BOOM / and they HIP-HIP-HOP / and the bouncin’ baby boogies with a BOP-BOP-BOP.” Wheeler’s verse scans beautifully and begs to be read aloud—danced to, even—making this a fine choice for preschool and kindergarten story times. Christie’s bold, double-paged gouache compositions locate this colorfully garbed, expressively hip family within an equally vibrant community. As Baby’s big dark eyes get glassy with fatigue, the party winds down. “Daddy sings blues. / Mama sings sweet. / While that snoozy-woozy baby . . . / . . . sleeps deep, deep, deep.” Exultant and infectious, from the red-and-yellow-striped endpapers to the final “OH YEAH!” (Picture book. 3-6)

Pub Date: Nov. 1, 2007

ISBN: 978-0-15-202522-9

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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