A graphic account of the lives and tragic ends of the young anti-Nazi White Rose martyrs.
Aside from dates, glimpses of documents, and a few invented lines of dialogue, Ciponte’s sketchy narrative text is largely a mix of quotations from classic German writers, Nazi propaganda, and snippets of rhetoric drawn directly from the six exhortatory leaflets (all of which are provided in full as backmatter in an English translation by Arthur R. Schultz) that the White Rose printed and distributed before its abrupt end. This leaves it to the art to create a storyline, and it’s not up to the task, being arranged in loosely sequenced panels, marked by confusingly abrupt changes in time and locale, in which watery figures with hard-to-distinguish features are either posed in static groups or portrayed in head shots. Reproductions of official reports serve in place of explicit depictions of the executions. Russell Freedman’s We Will Not Be Silent (2016) and Kip Wilson’s White Rose (2019) offer a more coherent picture of the short careers of Sophie Scholl and her fellow protesters, but readers will come away appreciating the courage it took for these young collegians to stand up as they did. Though the leaflets are almost unreadably cerebral, they do serve as primary sources for the White Rose’s message.
A heartfelt, well-deserved tribute but a muddle for readers not already familiar with the story. (Graphic nonfiction. 12-15)Pub Date: Feb. 16, 2021
ISBN: 978-0-87486-344-4
Page Count: 112
Publisher: Plough
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Categories: TEENS & YOUNG ADULT HISTORY | HISTORY | SOCIAL TOPICS | TEENS & YOUNG ADULT NONFICTION
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One of the world’s most celebrated creators of civic architecture is profiled in this accessible, engaging biography.
Similar in style and format to her Everybody Paints!: The Lives and Art of the Wyeth Family (2014) and Wideness and Wonder: The Life and Art of Georgia O’Keeffe (2011), Rubin’s well-researched profile examines the career, creative processes, and career milestones of Maya Lin. Rubin discusses at length Lin’s most famous achievement, designing the Vietnam Veterans Memorial in Washington, D.C. Chinese-American Lin was a reserved college student who entered and won the competition to design and build the memorial. Her youth and ethnicity were subjects of great controversy, and Rubin discusses how Lin fought to ensure her vision of the memorial remained intact. Other notable works by Lin, including the Civil Rights Memorial for the Southern Poverty Law Center in Montgomery, Alabama, a library and chapel for the Children’s Defense Fund, the Museum of Chinese in America, and the outdoor Wave Field project are examined but not in as much depth as the Vietnam Veterans Memorial. Attractively designed, the book is illustrated extensively with color photos and drawings.
An engaging, admiring, and insightful portrait of an uncompromising, civic-minded, visionary artist. (bibliography, source notes, index) (Biography. 12-15)Pub Date: Nov. 7, 2017
ISBN: 978-1-4521-0837-7
Page Count: 112
Publisher: Chronicle Books
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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A portrait of two victims of the Great Depression whose taste for guns and fast cars led to short careers in crime but longer ones as legends.
Blumenthal (Hillary Rodham Clinton, 2016, etc.) makes a determined effort to untangle a mare’s nest of conflicting eyewitness accounts, purple journalism, inaccurate police reports, and self-serving statements from relatives and cohorts of Bonnie Parker and Clyde Barrow. Though the results sometimes read as dry recitations of names and indistinguishable small towns, she makes perceptive guesses about what drove them and why they have become iconic figures, along with retracing their early lives, two-year crime spree, and subsequent transformations into doomed pop-culture antiheroes. She does not romanticize the duo—giving many of their murder victims faces through individual profiles, for instance, and describing wounds in grisly detail—but does convincingly argue that their crimes and characters (particularly Bonnie’s) were occasionally exaggerated. Blumenthal also wrenchingly portrays the desperation that their displaced, impoverished families must have felt while pointedly showing how an overtaxed, brutal legal system can turn petty offenders into violent ones. A full version of Bonnie’s homespun ballad “The Story of Bonnie and Clyde” and notes on the subsequent lives of significant relatives, accomplices, and lawmen join meaty lists of sources and interviews at the end.
Painstaking, judicious, and by no means exculpatory but with hints of sympathy. (photos, timeline, author’s note, source notes, bibliography, index) (Biography. 12-14)Pub Date: Aug. 14, 2018
ISBN: 978-0-451-47122-2
Page Count: 256
Publisher: Viking
Review Posted Online: May 15, 2018
Kirkus Reviews Issue: June 1, 2018
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