It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to...

THE CAT'S PURR

Or, why cats eat rats—quietly and effectively adapted from a West Indian folk tale by an accomplished compiler/illustrator (The Ox of the Wonderful Horns, Beat the Story-Drum, Pum-Pum).

This is a smallish volume (5 3/4 x 7 3/8), with russet crayon drawings of a droll dignity that itself compels attention. We first see Cat and Mouse as big and little trousered workmates, and "the best of friends." ("Uh-huh, uh-huh, they really were!") But Mouse is given to copying Cat, and when Cat's old uncle presents him with a tiny cat drum, "passed down in the family," Mouse is disgruntled at hearing he can't play it. ("I made my hut like yours, squeak, squee-eee. I played in the shade of your coconut tree. . .") So he devises a scheme to get hold of the drum—first stuffing himself with food, then feigning sickness when it's time to to out and work. But Cat, hoeing, hears the drum's purrum, purrum, purrum (a sound that, neatly, grows louder the more lightly the drum is stoked) and he eventually catches Rat out. That wily fellow saves himself by plunging the drum into Cat's open mouth—and, we're told, it has lodged safely in Cat's stomach ever since. "If you're kind to Cat," Bryan concludes—with a fetching drawing of a little boy and a big house-cat—"he'll let you play his drum. Remember, though, don't tap it or beat it, don't rap it or poke it. Just stroke Cat gently, very, very gently. Uh-huh, uh-huh!"

It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to read or read aloud. (Picture book/folktale. 4-8)

Pub Date: March 12, 1985

ISBN: 002179510X

Page Count: 52

Publisher: Atheneum

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Feb. 15, 1985

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A quiet story of sharing with no strings attached.

EXTRA YARN

A little girl in a town of white snow and soot-blackened chimneys opens a small box and discovers a never-ending gift of colorful yarn.

Annabelle knits herself a sweater, and with the leftover yarn, she knits one for her dog, and with the yarn left over from that, she knits one for a neighbor and for her classmates and for her teacher and for her family and for the birdhouse and for the buildings in town. All and everything are warm, cozy and colorful until a clotheshorse of an archduke arrives. Annabelle refuses his monetary offers, whereupon the box is stolen. The greedy archduke gets his just deserts when he opens the box to find it empty. It wends its way back to Annabelle, who ends up happily sitting in a knit-covered tree. Klassen, who worked on the film Coraline, uses inks, gouache and colorized scans of a sweater to create a stylized, linear design of dark geometric shapes against a white background. The stitches of the sweaters add a subdued rainbow. Barnett entertained middle-grade readers with his Brixton Brothers detective series. Here, he maintains a folkloric narrative that results in a traditional story arc complete with repetition, drama and a satisfying conclusion.

A quiet story of sharing with no strings attached. (Picture book. 4-7)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-195338-5

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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