Retold from Parsons' Folklore of the Antilles (1936), a story about delight in the sounds of words and the warm relationship between a boy and his Granny. Upsilimana Tumpalerado has a time learning his own name; when he masters it, he proudly confides in all the animals—especially old Turtle, who lives nearby in the sea. Then it turns out that Granny has a name unknown to the boy: a secret name—even longer than his own—that he eventually learns from Turtle. Full of dancing rhythms and mild humor, the story's message about the value of the inner lives of those we take for granted is quietly understated. Bryan's lovely paintings, in light, bright island colors, swirl with joyous patterns; Granny and her boy are full of love and life. Fine for reading, telling, and sharing; just right to pair with Mosel's Tikki Tikki Tembo.
Pub Date: Oct. 1, 1989
ISBN: 0689717288
Page Count: 32
Publisher: Atheneum
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 15, 1989
Categories: CHILDREN'S GENERAL CHILDREN'S
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Little Lobo is tasked with nourishing nine famished luchadores.
Following ¡Vamos! Let’s Go to the Market (2019), author/illustrator Raúl the Third and colorist Bay create a second installment in their bilingual series, ¡Vamos!, here following Little Lobo’s journey as he provides sustenance to hungry lucha libre stars. The cheerfully energetic anthropomorphic wolf reprises his role as a bike courier when he receives a message from El Toro and makes his way to el Coliseo, winding and weaving through busy streets. A mouthwatering experience follows as Little Lobo—accompanied by dog Bernabé and rooster pal Kooky Dooky—picks up tacos, diced fruit, freshly made tortillas, flan, and buñuelos from a gathering of food trucks. As in his other work, Raúl the Third imbues his pages with real-world and pop-culture references. An homage to Picasso’s Guernica, recognizable Ciudad Juárez–El Paso landmarks, a Chavo del Ocho inside a barrel, and even a Chapulín Colorado marionette all make the cut. Readers ignorant of these specifics will not feel left out: The busy pages filled with interesting characters and intriguing bilingual signage make readers wish they could jump into the pages and experience the bustling town. Bay’s comic book–style coloring and creative textures provide a deep cultural exposure to the lavish array of Mexican food throughout the spreads. After enjoying the story, readers will keep going back to savor all the minuscule details.
A delectable bilingual experience. (Picture book. 4-7)Pub Date: March 24, 2020
ISBN: 978-1-328-55704-9
Page Count: 48
Publisher: Versify/HMH
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With the same delightfully irreverent spirit that he brought to his retelling of "Little Red Riding Hood" (1987), Marshall enlivens another favorite. Although completely retold with his usual pungent wit and contemporary touches ("I don't mind if I do," says Goldilocks, as she tries out porridge, chair, and bed), Marshall retains the stories well-loved pattern, including Goldilocks escaping through the window (whereupon Baby Bear inquires, "Who was that little girl?"). The illustrations are fraught with delicious humor and detail: books that are stacked everywhere around the rather cluttered house, including some used in lieu of a missing leg for Papa Bear's chair; comically exaggerated beds—much too high at the head and the foot; and Baby Bear's wonderfully messy room, which certainly brings the story into the 20th century. Like its predecessor, perfect for several uses, from picture-book hour to beginning reading.
Pub Date: Sept. 1, 1988
ISBN: 0140563660
Page Count: 36
Publisher: Dial Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1988
Categories: CHILDREN'S GENERAL CHILDREN'S
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