A pleasantly gothic pleaser for fans of Unfortunate Events.

GRIMSTONES

In nine chatty letters, young Martha Grimstone introduces her peculiar family, describes the creation and hatching of three-legged little brother Crumpet, and fervently urges readers to write back.

This epistolary narrative has been spun off from a puppet performance and comes with inset photos of Tim Burton–style papier-mâché puppets in elaborately crafted antique settings and animations that range from a circling ring of quail to words that drop to the bottom of the page with a crash. There are also several full-screen interludes in which Martha—moving and gesturing like a marionette—beckons eerily to viewers, dumps potion ingredients into a pot or has a tap-activated exchange with her alchemist grandfather Elcho. She chattily shares hopes and dreams (“You never know, one day I could be the Lady of the Strongest Intestines in the Whole World”) as well as a string of domestic disasters or oddball incidents. In doing so, she repeatedly invites her readers to respond. Responses might in fact be mandatory; in one setting, each letter after the first is locked until the day after an answering letter is composed on a preformatted "Write Back" page. This can be toggled so that Martha writes regardless of readers' correspondence habits. There is no audio narration, but the app is supplied with sound effects and an optional background piano track.

A pleasantly gothic pleaser for fans of Unfortunate Events. (series website) (iPad storybook app. 8-11)

Pub Date: Dec. 1, 2013

ISBN: N/A

Page Count: -

Publisher: X Asphyxia

Review Posted Online: Feb. 12, 2014

Kirkus Reviews Issue: March 1, 2014

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A multicultural title with obvious appeal for animal-loving middle graders.

TIGER BOY

When a Bengali boy finds and saves a tiger cub from a man who wants to sell her on the black market, he realizes that the schoolwork he resents could lead to a career protecting his beloved Sunderbans island home.

When the not-yet-weaned cub escapes from a nearby reserve, Neel and many of his neighbors join the search. But some are in the pay of greedy Gupta, a shady entrepreneur who’s recently settled in their community. Even Neel’s father is tempted by Gupta’s money, although he knows that Gupta doesn’t plan to take the cub back to the refuge. Neel and his sister use the boy’s extensive knowledge of the island’s swampy interior to find the cub’s hiding place and lure it out so it can be returned to its mother. The Kolkota-born author visited the remote Sunderbans in the course of her research. She lovingly depicts this beautiful tropical forest in the context of Neel’s efforts to find the cub and his reluctance to leave his familiar world. While the conflicts resolve a bit too easily, the sense of place is strong and the tiger cub’s rescue very satisfying. Pastel illustrations will help readers envision the story.

A multicultural title with obvious appeal for animal-loving middle graders. (author's note, organizations, glossary) (Fiction. 8-11)

Pub Date: April 14, 2015

ISBN: 978-1-58089-660-3

Page Count: 144

Publisher: Charlesbridge

Review Posted Online: Jan. 10, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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