A layered, affecting story of friendship and community.

HUGO

A pigeon named Hugo enjoys the job of looking after a park in a Francophone city.

Hugo is a park warden. His job is to look after the park and the people who live around it. Through the seasons, Hugo keeps people company, encourages them to walk, cleans up after children, and entertains little ones. In the winter, Hugo visits people at their windows to remind them that spring will be back. There is one window whose curtains never open when Hugo visits. But Hugo persists, and one day Somebody appears at the window and smiles. Somebody, who is a little Black child, slowly becomes a good friend of Hugo’s, and when Hugo is injured, Somebody takes care of Hugo. But when Hugo is ready to go back to work, Somebody is sad…until the new friendship draws her outside as well. In this role reversal, human characters are seen as creatures needing care and community. Atinuke’s engaging storytelling style works well in this picture book, giving Hugo a personality, voice, and purpose that young readers will latch onto. Soft-lined illustrations with gentle pastel colors use a well-paced mix of double-page spreads, full-page scenes, and small vignettes to capture a changing environment filled with diverse personalities.

A layered, affecting story of friendship and community. (Picture book. 3-9)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1275-4

Page Count: 40

Publisher: Candlewick

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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