A whimsical, funny, and poignant historical novel.

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THE GIRL PRETENDING TO READ RILKE

Riddle debuts with a pleasantly offbeat coming-of-age novel that looks back at the changing roles of women in the 1960s.

In 1963, 19-year-old Bronwen Olwen has just completed her junior year in a prestigious Portland, Oregon, college and is heading to Boston for a prime summer internship in a biochemistry lab—and, not incidentally, a couple of months of living with her boyfriend, Eric Breuner. He’s four years older, ensconced in Harvard, and working toward a junior fellowship in the biology department, where he’s a superstar. Indeed, Bronwen is daunted by what she accepts as his intellectual superiority. But this summer, she’s decided to become an expert in the literary works of early 20th-century Bohemian-Austrian poet Rainer Maria Rilke as her nonscientific area of proficiency, because “All the scientists in Eric’s crowd had a little niche, a subarea of nontechnical knowledge on which they could hold forth.” Her boss, Felix, is a strange whirlwind of frenetic energy, always “rocking back and forth on the balls of his feet.” Bronwen helps him with some problem experiments, enabling him to complete his long-overdue doctoral thesis. Her grueling hours at the lab prove more gratifying than her time spent with the obnoxiously arrogant Eric and his cohort of pseudo-intellectual male scientists. However, it takes a series of crises to force her to reexamine her life. Although Riddle’s narrative is often humorous and frequently quirky, it also offers a stark reminder of the scientific community’s treatment of women joining its ranks in the ’60s. For example, Felix can’t fathom why Bronwen would choose to study science given her other options: “Girls don’t just whimsically decide to give up a social life and nice clothes to hang around in smelly hellholes with slavedrivers like me ordering them around.” Throughout, Riddle mixes solid, straightforward storytelling with long, stream-of-consciousness sections in which the omniscient narrator jumps into Bronwen’s chaotic mental meanderings. The run-on sentences in the latter can be confusing at times, but they effectively reflect the protagonist’s inner struggle as familiar young adult angst meets bubbling social change.

A whimsical, funny, and poignant historical novel.

Pub Date: Oct. 13, 2013

ISBN: 978-0-615-90432-0

Page Count: 212

Publisher: Pilgrim's Lane Press

Review Posted Online: May 28, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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