CAVEBOY CRUSH

Caveboy meets cavegirl in Ferry and Kuefler’s rambunctious tale.

Neander is a “typical caveboy,” whether he’s chasing giant mammoth butterflies or spending time with his beloved pet rock, Rock. Then he spots Neanne, a short and hairy—thus, “perfect”—cavegirl. After a little grinning and groaning, which his parents correctly diagnose as symptoms of a “crush,” a smitten Neander runs off to court the elusive cavegirl. He first heads to the Field of Bees to snatch some flowers. In front of Neanne, Neander plops down the flowers and then…CRUSH! He obliterates the flowers. An unimpressed Neanne dashes away, leaving behind a disappointed Neander. It’s time for a “grander” plan. Next up is the Waves of Salt, where Neander scoops out a massive conch shell. He struts back to Neanne, deposits his offering beside her house, and then…CRUSH! Unsurprisingly, Neander’s attempts at romance are not successful, but half the fun of the story comes from his efforts to impress his eventual new friend. Though the premise relies on traditional gender roles to a disappointing degree, Ferry’s joyful, plucky words practically guarantee exciting storytimes. Bolstered by Kuefler’s smooth, colorfully sparse pictures, Neander and Neanne’s story—a mini-saga between two bushy-haired, light-skinned prehistoric children—delivers belly laughs amid mild twists and enormous fun.

From CRUSH to AWW. (Picture book. 4-8)

Pub Date: Nov. 12, 2019

ISBN: 978-1-4197-3656-8

Page Count: 48

Publisher: Abrams

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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