Ex-patriate journalist Bryson (Neither Here Nor There, 1992, etc.) skims the history and present condition of American English.
The text is an entertaining compendium of possible and less possible word origins. Does "okay'' come from Martin Van Buren's nickname, Old Kinderhook? Or from the fact that Andrew Jackson was reported to write "oll korrect''? Or is it from the Greek ollakalla (all good)? Bryson offers a cogent discussion of sexism in the language, and there's a lot of orthography, etymology, and toponymy. But this isn't just a book about language. It's also a bestiary of American pop culture, many of whose stereotypes Bryson debunks (a back-formation from Buncombe County, N.C., of course): Ellis Island, in its original splendor, wasn't half bad; the Puritans enjoyed a good time just like the rest of us; and Ray Kroc hadn't the inventiveness of the Brothers MacDonald, after all. Bryson tells us a lot we surely never thought about. There's the cost of sending a letter by Postal Express and the reason for the bump on the fuselage of the Boeing 747. "Debugging'' of computers began, we are told, on the day 50 years ago when a moth entered a Navy computer. There are, however, some facts that aren't facts. Bryson places the Polish-born British writer Joseph Conrad among the group of Americans whose names were changed from awkward foreignness. And, surprisingly for a lexicographer, he indulges in the popular confusion of the 18th-century "long s'' and the modern "f.'' This offering won't replace the popular works by Flexner, much less the majestic Mencken, but the style is engaging and the narrative diverting. An index is appended, but there is no useful list of words and phrases.
If, as the old saw has it, England and America are two countries divided by a common language, here's some disarming help sent by a Yank from the other side of the pond.Pub Date: March 1, 1995
ISBN: 0380713810
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 1, 1995
Categories: GENERAL NONFICTION
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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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