Part thriller and part mystery, this delightful story of friendship also celebrates sex, love, and family.

THE AFTER PARTY

Three Black women who occasionally sit at the same lunch table at work are thrown together and become fast friends when their male colleague is murdered.

Venus McGee, Draya Carter, and Jackie Benson are all strong women who are leaders within their separate departments at Baltimore-based Billings Croft Construction, yet they couldn't be more different from one another. Venus is known as a calm and in-control senior project manager who has been passed over for promotions in favor of Rufus, an incompetent, petty, womanizing jerk; she holds herself accountable for every small choice she makes so that it does not reflect poorly on her father, a city councilman. Draya has a much different reputation: She asks no forgiveness for having slept her way into a job as the company's fiscal director, and she wields her sexuality as a tool to help get what she wants. Jackie, the third in the group, is the facilities manager at the firm’s building, a hard worker who is quick to defend boundaries and struggles with loneliness after her family shunned her for being a lesbian. When Venus gets into an argument with Rufus at the office Christmas party, the three woman head back to Venus’ apartment to commiserate on his extreme unpleasantness. The next morning, Rufus summons Draya frantically to his house for work help and she arrives to find him dead. As a Black woman in Baltimore, she does not trust what the police will do to her if she reports Rufus’ murder, so she calls Venus. What follows are a wild few weeks as the women try to protect themselves from the police investigation, figure out who murdered Rufus, and work through their opinions on potential, current, and former lovers as they become not only fast friends, but also family. This is Homicide: Life on the Streets meets 9 to 5 meets Bridgerton in a story that screams to become a TV series.

Part thriller and part mystery, this delightful story of friendship also celebrates sex, love, and family.

Pub Date: Nov. 16, 2021

ISBN: 978-1-5420-3112-7

Page Count: 352

Publisher: Montlake Romance

Review Posted Online: Sept. 15, 2021

Kirkus Reviews Issue: Oct. 1, 2021

Did you like this book?

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 48

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Fresh and upbeat, though not without flaws.

THE LOVE HYPOTHESIS

An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 28, 2021

Kirkus Reviews Issue: Aug. 15, 2021

Did you like this book?

more