The resolute avoidance of anything that smacks of exposition slows the pace to a crawl and makes it hard to sift the wheat...

THE LOST BOY

Under all the massive weight of circumstance and suffering, the latest case for the sorely tried Tanumshede police is a tale of mothers and their children.

The people of Fjällbacka call Gråskär “Ghost Island” because of long-standing rumors that “those who died out there never leave.” But after the violent death of her overbearing husband, Fredrik, whose status as a wine importer merely provided a cover for his criminal activities, Nathalie Wester retreats there gratefully with her 5-year-old son, Sam, secure in the knowledge that Gråskär is her island, their island. The friends and neighbors in Fjällbacka who have yet to discover Fredrik’s body have little time to worry about Nathalie’s welfare because they have troubles of their own. The town’s finance officer, Mats Sverin, has been shot to death in the front hall of his own apartment, and his ancient status as Nathalie’s high school boyfriend seems a lot less relevant to Patrik Hedström, of the Tanum police, than his recent beating by a gang of toughs in Göteborg, where he’d worked for the Refuge, a battered women’s shelter, before returning to his hometown. And the family of Patrik’s wife, author Erica Falck, has sorrows of its own. Erica’s younger sister, Anna, has been badly injured in a car crash and has lost the child she’d carried nearly to term—a boy she’d hoped would knit her family closer together with that of Dan, her second husband. Now every mother and child on whom Läckberg turns her searching eye, from Mats’ mother, Signe Sverin, to Madeleine, a Refuge client who finds that Copenhagen isn’t far enough from Sweden to flee her tormenter, is withdrawn, isolated, and endangered.

The resolute avoidance of anything that smacks of exposition slows the pace to a crawl and makes it hard to sift the wheat from the chaff but also gives this glum tale a certain majesty.

Pub Date: Oct. 11, 2016

ISBN: 978-1-681-77204-2

Page Count: 496

Publisher: Pegasus Crime

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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