An engrossing, sharply drawn adventure tale.

RIVER OF THE GODS

GENIUS, COURAGE, AND BETRAYAL IN THE SEARCH FOR THE SOURCE OF THE NILE

The lure of uncharted territory.

The Rosetta Stone—discovered by French soldiers in 1799, seized by a British envoy, and deciphered 23 years later—set off an obsessive interest in Egypt, including by the newly established Royal Geographical Society, to find the headwaters of the Nile. Bestselling author Millard, a former writer and editor for National Geographic, offers a tense, vibrant history of several dramatic expeditions across East Africa that finally resulted in a successful discovery. Drawing on archival sources and her own multiple trips to Africa following the explorers’ paths, Millard creates a palpable sense of the daunting task undertaken by three ambitious men: the magnetic, impulsive, and often combative Richard Burton; John Hanning Speke, an aristocratic infantry lieutenant and passionate hunter whose initial interest in East Africa was largely for the animals he could kill; and their devoted and resourceful native guide, Sidi Mubarak Bombay, a former enslaved person whose intimate knowledge of tribes and terrain proved to be indispensable. Guides like Bombay, Millard argues persuasively, formed the indisputable backbone of British exploration. After abortive starts, the expedition left Zanzibar on June 27, 1857. The explorers and their team, woefully underfunded, faced innumerable hardships: scorching heat, drenching storms, near starvation, massive desertions, and threats from “large, powerful, and politically complex” East African kingdoms. Illness and injury dogged them, as they suffered from typhoid, smallpox, infected wounds, and bone-shattering fevers. Speke suffered near blindness from ophthalmia, and he became deaf in one ear after a beetle burrowed into his ear canal. For nearly a year, Burton lay paralyzed. Although they became the first Europeans to reach Lake Tanganyika, they could not proceed together to Lake Nyanza, which Speke insisted was the Nile’s source. Back in London, Speke cruelly denounced Burton’s leadership, securing funding for his own expedition. Although Burton died poor and angry, his legacy, unlike Speke’s, has endured.

An engrossing, sharply drawn adventure tale.

Pub Date: May 17, 2022

ISBN: 978-0-385-54310-1

Page Count: 368

Publisher: Doubleday

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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